I know this has probably been discussed...


But I can't seem to find the answer to this question:

If most if not all recordings are done digitally now, doesn't that defeat the purpose of vinyl?

If someone could point me to the thread/s on this subject I'd be most grateful.
helmuthed

Showing 1 response by cmalak

A lot of the current audiophile reissues from labels like Music Matters, Analogue Productions, Mofi, and even mass market labels like Warner Bros are puttting out jazz, rock and pop reissues that are sourced from the original master analog tapes. These are typically expensive and involve a select few mastering engineers like Kevin Gray and Steven Hoffman or Stan Ricker and a few others who are viewed as the go to guys. You are probably right that for the majority of the mass market new issues, labels are recording in the digital domain to begin with. That's why the mass market new issue stuff goes for $10-$20 per Lp whereas the audiophile reissues sourced from the analog mastertapes and done by one of the big mastering engineers go for $25-$50 per Lp. The audiophile reissues also use higher quality vinyl pressing plants like RTI and Pallas in Germany.

I am sure more knowledgeable folks than I will chime in with a lot more detail and substance to answer your question. Hope this helps.