Several years ago I was auditioning a pair of Mirage M5si's, 85-lb. 51" tall floorstanders. They sounded a bit anemic to me when driven by the big 250wpc Sunfire amp everybody was raving about. We even tried it in both Current and Voltage moves. No dice.
Then the sales rep inserted a pair of 300w McIntosh mono blocks. Aaaah! There's the magic. They really made those Mirages stand up and sing, and the bass was to die for.
I'm a bottom-feeder; I got the $2K Mirages that evening for $1K on closeout, and then sold my ADS L1090ii's to a co-worker for $675, for a total of $325 out-of-pocket.
But if I could have afforded to take home those McIntosh monoblocks, I would have done that too.
So there it is. I'm not rich enough to make a blatant display of wealth, and I have the knowledge and experience to discern the quality of audio gear. And yet, I had an experience where a McIntosh product owned the room.
Then the sales rep inserted a pair of 300w McIntosh mono blocks. Aaaah! There's the magic. They really made those Mirages stand up and sing, and the bass was to die for.
I'm a bottom-feeder; I got the $2K Mirages that evening for $1K on closeout, and then sold my ADS L1090ii's to a co-worker for $675, for a total of $325 out-of-pocket.
But if I could have afforded to take home those McIntosh monoblocks, I would have done that too.
So there it is. I'm not rich enough to make a blatant display of wealth, and I have the knowledge and experience to discern the quality of audio gear. And yet, I had an experience where a McIntosh product owned the room.