I could use some jazz mentoring.


I'm a relative newbie to jazz. I know what I like, but I can't find anymore of it. I figure this might be a good place to ask.

Generally, I think I like the sound of bluesy, laid back jazz.

My two favorite cds are:

Wynton Marsalis - Midnight Blues (it's the 5th in a series of cds he did)

Miles Davis - Kind of Blue

If you've heard both of these cds, I hope you can see the commonality between them in the same way I do. To me they are both moody, introspective, and romantic albums.

Thanks in advance for any advice. I'm really looking forward to discovering more of a great genre.

-Esfand
dubzilla

Showing 2 responses by sdcampbell

Many of Bill Evans piano recordings have a quiet, ethereal quality to them. One of my personal favorites is a recording the Evans did with Jim Hall around 1963 titled "Undercurrent", which has been re-released on CD.

If you like "Kind of Blue", then you should listen to Miles' early recordings from the 1953-55 period. Four of his best from that era were the group of recordings sometimes known as the "Cooking - Relaxing" albums. These have been available on both CD and LP reissues for some time.

For one of the most relaxing tenor sounds ever recorded, check out the recordings by the great Zoot Sims. He did a series of LP's for the Pablo label in the mid-1950's (with pianist Jimmy Rowles), which included several of my favorites: "Warm Tenor" and "Suddenly It's Spring".

Another great ballad player was tenor saxophonist Dexter Gordon, who had one of the fullest, smokiest sounding horns of all time. Stan Getz also had a wonderful ability with a ballad, so I suggest you look for some of his more laid back albums (the recordings he did in the final few years of his life are particularly poignant -- such as "People Time", which featured duets with the stellar pianist Kenny Barron).

In a somewhat different vein, you might also like the recordings aht guitarist Grant Green did on the Blue Note label in the early to mid-1960's. Grant has a rather laid-back style, and the guitar that he played had a particularly mellow tone.

Last suggestion: for a much more contemporary sound, you might try one of the recent CD's by Tomas Stanko, a Polish trumpet player. Stanko leads a very cohesive quartet, and his sound is very much like Miles Davis from the 1950's.

If you'd like to discuss some of these choices, or learn about others, feel free to drop me a personal E-mail.

Best regards,

Scott C-
In my first post, I forgot to include the recordings done by Charles Lloyd since he returned to the jazz scene in the late 1980's. While Lloyd's contemporary work may, on the surface, sound bluesy and laid back, his work is complex and very satisfying over the long run (just as Miles Davis' early recordings still retain their appeal).

The first recording that he released (recorded in July,1989), titled "Fish Out of Water" (ECM 1398), remains one of my favorites, but the following recordings are all worth having:
1. Notes from Big Sur (ECM 1465);
2. Voice in The Night (ECM 1674);
3. The Water is Wide (ECM 1734);
4. Hyperion With Higgins (ECM 1784).

Good listening to you!