I auditioned SACD today


After reading all the positive reviews and posts on SACD I decided to take a serious look at this format. I have 22 dual layer SACD in my collection so I took 4 SACDs of music I know the best. To my surprise one of the local dealers still had a demo Sony SCD 1. The sales person led me to the room and said take as long as I would like and left. Since I read all the reviews on the SCD 1 I was able to operate it without difficulty.

There was no question that the SACD layer had a bigger soundstage and better detail than the Redbook layer but the difference were not as great as I expected. I wondered how the Sony compared next to my Audiomeca Mephisto 11.X CDP. Then a strange thing happen, I noticed a Linn LP 12 turntable to the side of the equipment rack. I cued up one of the lps and played it. As a former owner of 2 LP 12 over the years I had a good idea what to expect, the sound was full , warm , detailed and most of all musical. I should add that I have over 7000 lps and 5000 cds and listen to both, prefer the sound of vinyl but love the convenience and catalog selection of cds.

To make a long story short I decided to forgo the purchase of a SACD player and continue to ad to my vinyl and cd collection and just enjoy the music. I may look at SACD again in the future as the hardware improves and the software growa in numbers.
rec

Showing 1 response by ben_campbell

Eldartford-I think SACD got it's software sorted out a lot quicker and also I think there was clearly an effort towards Audiophile quality machines on SACD that was totally lacking from the DVD-A camp.
As such I'm not sure Audiophiles even had the choice and as such the guys on the cutting edge have invested in the format have indeed already made their choice.
What player could Rsbeck even consider to challenge his Emm Labs Dac?
More possible bad news for DVD-A with this report.....

Warner Music to Drop DVD Audio?
An article in the U.K.'s Financial Times by Richard Milne provided the biggest news of the day in the High Resolution Audio arena and talk at CES. In it, Milne highlighted some of the progress the Super Audio CD format has made over the past year with some of their big name releases including the Bob Dylan Remastered Series, Sting's "Scared Love" album, Pink Floyd's "Dark Side of the Moon", The Police and the Rolling Stones Remastered Series.

He notes that some of the titles, primarily those being released as "single inventory" discs where the Hybrid SACD serves as both the SACD and standard CD release of the album, are selling quite well, with several titles moving over 100,000 units - a target seen as an indicator of strong sales in the industry. The article also quotes officials at Universal Music, Acoustic Sounds, Sony and Philips citing audiophile interest in the format and its high quality audio and copy protection aspects.

However, the section of the article that drew the most attention is Milne's comment that "Warner is the only one of the five record majors not producing SACDs and rumours abound that it will soon pull out of DVD-A." There has much speculation about where Warner Music will go in the high resolution audio market now that the Music Division is being sold off to the Bronfman Group. AOL Time Warner has owned some Intellectual Property (IP) used in the DVD Audio format and this has given them a strong incentive to remain faithful to the DVD-A format and their DVD-A release plans. If the IP rights remain at AOL Time Warner after the sale of the Music Division is complete, the new owner may not have the same financial incentive to continue in that direction. We will watch and see what develops next.

People will be accussing me of being pro-SACD next!