Ah....Lord of the Rings. Have not seen it or listened to the "dynamic score".
But funny coincidence. Sorry to drop a name, but I have just returned from a dinner where I sat across the table from Howard Shore.
I was not familiar with his work on LotR or any other movies, but it was interesting that our conversation regarding audio went just about nowhere.
I tried to engage him in a conversation about audio and sound quality being a lost art, what with recording studios for windows in a box, studios closing, digital vs good old fashioned analogue etc.
He looked at me like I had 17 heads and then more or less dismissively said that he had been making records since I was in diapers, spent his days in a soundproofed office with a suspended floor, and that technology had changed dramatically in recent years.
I mentioned that I was interested in Audio Research amplifiers and he said "yeah, Ive had a lot of "AR" equipment. (ACOUSTIC Research?)
When I asked him what he thought was state of the art for amplifiers and speakers he mentioned B&Ws and Crown.
I guess we are all just insane? Or other people, even professional composers, just dont get it?
But funny coincidence. Sorry to drop a name, but I have just returned from a dinner where I sat across the table from Howard Shore.
I was not familiar with his work on LotR or any other movies, but it was interesting that our conversation regarding audio went just about nowhere.
I tried to engage him in a conversation about audio and sound quality being a lost art, what with recording studios for windows in a box, studios closing, digital vs good old fashioned analogue etc.
He looked at me like I had 17 heads and then more or less dismissively said that he had been making records since I was in diapers, spent his days in a soundproofed office with a suspended floor, and that technology had changed dramatically in recent years.
I mentioned that I was interested in Audio Research amplifiers and he said "yeah, Ive had a lot of "AR" equipment. (ACOUSTIC Research?)
When I asked him what he thought was state of the art for amplifiers and speakers he mentioned B&Ws and Crown.
I guess we are all just insane? Or other people, even professional composers, just dont get it?