How to choose a cartridge you can't hear on your system?


My personal cartridge history has gone from a humble Goldring to a decent Benz H2 and finally a Dynavector XV-1s.  Recently my 3 year old decided to break the needle on both my Dynavector and Benz (two arm setup).  This tragedy prompted a me to send my Dynavector out for re-tipping and the purchase of a new cartridge to sustain me through the expected rebuild period.  I bought a decent Sumiko Evo III.  

All of this is to come around to a realization.  In many ways, each cartridge brings something new to the table.  The Evo II had more solidity or weight to the sonic presentation than the others.  The Benz had a seductive warmth and the Dynavector a detailed nuance I most enjoyed.  I don't think it is possible to know ahead of hearing a cartridge in ones own system which brands house sound one prefers.  

I find cartridges to be the hardest audio component to buy.  How do you choose?  
chadlesko

Showing 1 response by jp90

This post is bringing out some good points. One can only really cross reference from brand experience, discription and referral.

I think when you take into account real wage inflation from say 30 to 50 years ago but also consider the smaller demanded  for this medium, the price points are still threw the roof for some cartridges.

I grew up in the guitar building and repair business, and in the last five years I've been building on a small scale guitar pickups with a family friend. Although we are not dealing with exotic stylus we do use various high quality ( often US made ) wire types and alnico magnets. It does take some care and patience  in assembly and soldering. The price for example for a pair of 2" x 1/2" long magnets is $8.00.

My point is not to insult or doubt the quality or purchasing of the uber high end cartridges. I'm just a bit stunned by it and feel  from a personal stand point  one can get high up the latter with vintage and mid price cartridges from bigger manufactures past and present.