How "Rare" are Audio Classics, Really



Sellers often say things like "RARE Eucalyptus finish!'" or increasingly RARE and hard to find!

I like to read about cars, where if a certain Porsche or Ferrari numbered only in the hundreds they are indeed more valuable than mass produced models.

Collector cars which number in the single digits can cost more than a nice house in Santa Barbara.

Which makes me wonder: how rare, really, are certain collectible audio components, in terms of their production numbers?

How many Tympani IVa's, Audio Research D70's, Marantz Tuners, McIntosh power amps, Rogers LS35a's etc etc have really been made?

Please note this question applies only to real classics, from reputable manufacturers.

Your purple gull wing doored fiberglass kit car replica of Magnum PIs Ferrari may indeed be "one of kind", just like your garage built electomagnetic shielding devices and custom African hardwood enclosed power stations, but a no reserve auction will quickly confirm the true value of those "rare" items.

What are the most rare, classic audio components, and how many might remain in the world today?
cwlondon

Showing 2 responses by almarg

As you realize, there are quite a few examples of 1950's and 1960's tube equipment that are both rare and desirable, including the Marantz 10B tuner and McIntosh power amps you mentioned.

I would single out for special mention, though, in terms of their overall combination of rarity and desirability, the Brook power amps (which were designed in the very early 1950's by Lincoln Walsh, and used 300B or 2A3 power tubes!), the Marantz 1 preamp, the Marantz 2 power amp, and the REL (Radio Engineering Laboratories) Precedent tuner. The word "rare" would especially apply if those preamps and power amps were found as a pair, since each piece is mono.

I have read that the REL Precedent, which apparently helped inspire the Marantz 10B, had a total production run of just a few hundred pieces. I don't know how many of the others were built.

During the early 1990's I was able to acquire examples of most of the classic Marantz tube models (I eventually sold them, which was most definitely a mistake in the case of the 1's and 2's), a few McIntosh pieces which I sold, and a REL Precedent (which I will never sell). I found them mainly via want ads I placed in local classified ad publications, and in some cases also via auctions, tag sales, etc. My impression is that in more recent years finding such pieces at semi-reasonable prices is increasingly impossible, with most of them having found their way into the hands of collectors (many of them in the Far Eastern countries).

I would also comment that the rarity of these kinds of things probably varies considerably depending on the demographics of the particular geographical location. The possibility of finding them being greatest in locations that were both well populated and affluent during the times when the items were originally sold.

Regards,
-- Al
Can anyone else comment on production numbers in more detail?
FWIW, I checked my records on the Marantz pieces I owned during the 1990's. Their serial numbers ranged from about 1,700 to about 10,800. That encompasses a pair of 1's, a pair of 2's, a 7C, a pair of 9's, and two 10B's.

Regards,
-- Al