How much difference will a phono stage upgrade make?

@12hz,   Yes you have great options to be excited about.  I really cannot comment on stuff I haven't heard and all of it you are getting recs for is solid by reputation.  

All I can say is my Chinook is superlative.  I adore it.  It sits quietly in the rack doing more work, so to speak, than any other element of my system. Great speakers? Check. Great amps? Check.  The Chinook makes them all shine.  The sound is big and fat, fat, fat, fat.  It's sooo smooth.  

I grew up listening to vinyl through my folks.  They are older now and heard it.  They were floored at how clear it is. The gain is stellar.  You cannot go wrong. 

I often think about upgrading stuff.  I'd be spending $6-$10k on speakers and still not swapping out the Chinook.  You sort of know what you know after doing this awhile.  I know the Chinook might be my strongest link.    

I run MC now, but the Chinook was vintagely (not a word) captivating with the Ortofon 2M Black.  I think the Chinook is out of its league but, still, it was intoxicating. 

I'd love to hear a Herron though.  Can't lie. 

I agree with Stevecham's assessment of the Rhea, concerning low level tube rush. But, after 12 years I upgraded my unit to the signature version. Oh, what a difference. Overall a great improvement and a much lower noise floor. The virtues of the Rhea, flexibility and the ability to adjust load and gain from your listening position, became more evident, as I upgraded other sources in my system. Simply musical in either configuration...

I was using the tube box ds as well and my problem was low output ,rega rp 8 ,alphea mc cart .i purchased a used Mac mc100 and wow that solved my problem! Mac 601 mono’s, focal 1038 be.

I managed to find a Herron VTPH 1, here on Agon, and after hearing so much about it, I picked it up.  It blew away my Fosgate and took its place.  I wrote Keith and asked about trading in the VTPH 1 (mm only) for the 2a; he offered me a credit that was exactly what I paid for the '1' so he built a 2a for me.  With my Rega RP10/Apheta2 connected, the music was glorious.  After about 2 months I notice a static like noise on the right channel.  I contacted Keith after doing as much troubleshooting as possible to isolate it the 2a.  He asked me to send it back, which I did.  He could not hear the same noise after listening for a week.  And this next part is why I will never have another phono stage except a Keith Herron designed one.  Keith, without being able to duplicate the noise, decided to build me another 2a rather than return my original.  Yes, that is correct, Keith Herron built another 2a for me and kept my original.  Further investigation, on my end, found the static noise was caused by an external source (computer power supply).  I have been in audio for 55  years and I have never had any manufacturer treat me so well as Keith Herron.  He not only makes the best phono stage, but he is also one of the true gentlemen in this business and that means quite a lot nowadays.