I think what most are trying to say is that it’s a matter of limiting factors. Look at your signal path and identify the weakest link. Figure out where you want to land for the system (usually budget driven decision) and upgrade the weakest link first. Any sort of smear in the signal chain can break up the soundstage - and no equipment can put it back together. We have the same TT and I’ve had success with a 103R, a 1:40 SUT (Bob’s Devices) and a Decware tube phono preamp. I’ve since moved on from the 103, but it’s a great performer for the cost. Like most have said already the phono pre is important because it is responsible for more gain that any other equipment. Combine the high gain with the only tone control typically used in analog (RIAA correction) and you have the easiest piece of equipment to get wrong.
How much difference does a phono preamp really make?
Sorry for the noob question...
I have a Technics SL1200-GR turntable with two cartridges; a Denon DL110 and a Clearaudio Performer. I also have two phono stages; a Consonance PM6 and the internal phono stage in my Belles Aria integrated.
To my ears, there is no discernable difference in sound between the two phono stages.
I'm just wondering, if I went up to say a Clearaudio Smart Phono, or a Rogue, or even a GoldNote PH-10; would I be able to tell? How critical is a quality phono pre in analog sound reproduction?
Thanks,
Joe
I have a Technics SL1200-GR turntable with two cartridges; a Denon DL110 and a Clearaudio Performer. I also have two phono stages; a Consonance PM6 and the internal phono stage in my Belles Aria integrated.
To my ears, there is no discernable difference in sound between the two phono stages.
I'm just wondering, if I went up to say a Clearaudio Smart Phono, or a Rogue, or even a GoldNote PH-10; would I be able to tell? How critical is a quality phono pre in analog sound reproduction?
Thanks,
Joe