The other thing I would point out is I hear live symphonic music here in Atlanta at least twice monthly and in my experience live music doesn't sound like the all that focused with regard to image localization of individual instruments as I experienced with the JBL M2's in my note above. The sound in real live seems a bit more diffuse. Absolutely effortless as the power builds in orchestral crescendos. I have been to concerts all over the world at this point in my life and it is true that different concert halls sound "different" with some having more of a burnished/warmish sound than others for example. Of course in concerto recordings, recordings just about any recording, the level of solos in balance against the level of the orchestra is far different from real life in a concert hall unless you're sitting in the first 5 rows. In a recording the solo roles in concertos are usually pumped up much higher and more pronounced than I experience in a concert hall.
How important is it for you to attain a holographic image?
I’m wondering how many A’goners consider a holographic image a must for them to enjoy their systems? Also, how many achieve this effect on a majority of recordings?
Is good soundstaging enough, or must a three dimensional image be attained in all cases. Indeed, is it possible to always achieve it?
Is good soundstaging enough, or must a three dimensional image be attained in all cases. Indeed, is it possible to always achieve it?