I sorta regard it, anymore these days, as something of a parlor trick, myself. Don't get me wrong, I love imaging - but mainly only when it is playing on the same page as the sound staging. Hate it when the 2 are disconnected from each other.
I've heard (and have owned a couple) systems of lesser quality where it was relatively easy to get a "dimensional" sound from stage rear, and had pretty good imaging as well (at least across the front of the stage), but as things progressed for me over the years, the challenge has been to get the soundfield to fully fill in all the areas in between the front of the stage and the back and do so believably.
But, I'd say I'm more of a 'line-of-sight' kind of guy...that to me is more like what I hear when I'm out. I listen to about everything at home. Maybe for some small ensembles, it could be an advantage. With most material, I might even find it distracting...I think it can be overdone.
I've heard (and have owned a couple) systems of lesser quality where it was relatively easy to get a "dimensional" sound from stage rear, and had pretty good imaging as well (at least across the front of the stage), but as things progressed for me over the years, the challenge has been to get the soundfield to fully fill in all the areas in between the front of the stage and the back and do so believably.
But, I'd say I'm more of a 'line-of-sight' kind of guy...that to me is more like what I hear when I'm out. I listen to about everything at home. Maybe for some small ensembles, it could be an advantage. With most material, I might even find it distracting...I think it can be overdone.