Well, I am again, late to a thread that has intense meaning to me. I am actually not overstating this, since the idea of getting musicians in my room was a long process, and not one that was continuous, even when complete. I mean to say that recordings, as someone stated earlier in this thread, don't always have the information/miking that needs to be for decent sound reproduction... at least in the way of soundstaging. It's not that I don't enjoy many recordings in spite of their flaws, but am overcome at times when a recording (especially piano) gets it right.
Having said this, there are a couple of 'experiments' that have a place in my system from time to time. Off and on, I will use a completely rebuilt Carver C-9 (yes, I can see you in the back, rolling you're eyes). No, it isn't for every recording, I couldn't agree more. Probably the logic comes into line with my ocaissional need to use a good tone control. Way out of audiophilia, and probably some of you are hissing right now ;) I will say this though. Many times, a wonderful soundstage can be had, given the right speaker placement, and room treatment. but that seems to have been more popular back in my bachelor days.
Having said this, there are a couple of 'experiments' that have a place in my system from time to time. Off and on, I will use a completely rebuilt Carver C-9 (yes, I can see you in the back, rolling you're eyes). No, it isn't for every recording, I couldn't agree more. Probably the logic comes into line with my ocaissional need to use a good tone control. Way out of audiophilia, and probably some of you are hissing right now ;) I will say this though. Many times, a wonderful soundstage can be had, given the right speaker placement, and room treatment. but that seems to have been more popular back in my bachelor days.