Mr decibel,
the problem with those two designs, is that they were only partially V-fet, as the transistors were not available to make them fully v-fet.
thus.. the chain of signal manipulation and amplification was inherently non-linear in gain, even though the V-fets in situ, were linear gain.
the whole chain must be linear gain v-fet, otherwise it will be colored enough that it is notably more difficult to discern what good the v-fets were bringing to the table.
Of the two, the Yammie was probably the better unit, as it had some middling sized v-fets in the driver stage, IIRC... and then the output stage was all v-fet.
Only ONE Sony unit had a second and singular ’small signal’ V-fet in it other than the final output transistor stage, and that is the Sony TA-5650 integrated amp. It had a set in the phono section.
the problem with those two designs, is that they were only partially V-fet, as the transistors were not available to make them fully v-fet.
thus.. the chain of signal manipulation and amplification was inherently non-linear in gain, even though the V-fets in situ, were linear gain.
the whole chain must be linear gain v-fet, otherwise it will be colored enough that it is notably more difficult to discern what good the v-fets were bringing to the table.
Of the two, the Yammie was probably the better unit, as it had some middling sized v-fets in the driver stage, IIRC... and then the output stage was all v-fet.
Only ONE Sony unit had a second and singular ’small signal’ V-fet in it other than the final output transistor stage, and that is the Sony TA-5650 integrated amp. It had a set in the phono section.