How do you negotiate a cure for wrong audio view


It is a shame when our art degenerates into 'hobby'. To let the mind stray from the wonderous pregnancies of the composer or performer's works into mere material quest for sonic reproduction is sad indeed. Now mind you, I love the pursuit of sonic excellence same as the next audiophile, but when my mind looses the 'big picture' of the art I become reduced to a mere 'hobbyist', which for me is a sad feeling indeed. My remedy is a total shift in view: from the deaf equipment to the animate speaking beauty conveyed by the mere devices. When I recognize that I am spending my time thinking about the 'machines' I hopefully remember to LISTEN, THINK, APPRECIATE, and disappear into the magic of sound. What do you do with this inevitable problem?
chashmal

Showing 1 response by jazdoc

Theodore Levitt once observed that "people don't want a quarter-inch drill; they want a quarter-inch hole".

Translated into audiospeak: "people don't want a stereo, they want to enjoy music." I try to keep that in mind, especially when I'm auditioning. If I'm enjoying the music, by definition it's good. If I'm listening to the equipment...