How do you know what you're missing?


Without listening to better systems than your own, how do you go about targeting what to improve? How do you know what is possible? It's a case of you don't know what you don't know. I get that indistinguishable from live is the definition of high fidelity, but I don't see that as a realistic aspiration without a dedicated built to spec room and a few orders of magnitude more expensive gear.

Reading reviews or forums can't possibly educate as well as demonstration. "Writing about music is like dancing about architecture," applies to the hardware as well as the media. I've isolated myself for many years prior to current circumstances. I can't remember the last time I actually went and listened to someone else's system. For that matter it's been years since I heard live music, too. (I don't count serenading the cat at home.)

Is it a case of you'll know it when you see it? Is this not a common problem? Or do you just not know it is a problem?
cat_doorman
Post removed 
@cat_doorman

you seem to know enough to discern among the various and sundry commentary you are receiving on this post

some folks have strongly held beliefs, right or wrong... sometimes stated repetitively and with blunt force, which, actually is counterproductive to getting the point across effectively

good luck, happy listening
Here is the problem:
An audiogon post is about a general topic,
or a request for information, or even a direction.
People respond with what is working for them,
usually a favorite or new piece of gear.
The responses are particular recommendations,
usually.

This can send the poster on a merry go round of
options, taking twists and turns to an unkown
destination.

In a quandry over "where to begin," the poster either
may or may not try something new.  But then, how can they have
the reassurance that they are following a path that
will actually lead to better sound?  You have to be familiar
with how music sounds, with what you like, with different listening experiences (good and bad), I believe.

Some typical responses can be, "I like what this guy is saying."
"What if I follow THIS suggestion, maybe this will work?"

"I've isolated myself for many years, prior to current
circumstances."  From your 10/3 post, it looks like there
is a proposed trail of dollars, waiting to be spent.

I prefer to play with the tools that I already have, and keep
the change (no pun intended).  My quest is trying to make sure I am ringing the last bit of musical enjoyment from what I already own.
Under these conditions, a new piece CAN be justified because
I have "paid my dues," and my investment of  time, energy,
and dedication to the pursuit of better sound, is rewarded,
more times than not..

I hope your way works for you.