How do you know what you're missing?


Without listening to better systems than your own, how do you go about targeting what to improve? How do you know what is possible? It's a case of you don't know what you don't know. I get that indistinguishable from live is the definition of high fidelity, but I don't see that as a realistic aspiration without a dedicated built to spec room and a few orders of magnitude more expensive gear.

Reading reviews or forums can't possibly educate as well as demonstration. "Writing about music is like dancing about architecture," applies to the hardware as well as the media. I've isolated myself for many years prior to current circumstances. I can't remember the last time I actually went and listened to someone else's system. For that matter it's been years since I heard live music, too. (I don't count serenading the cat at home.)

Is it a case of you'll know it when you see it? Is this not a common problem? Or do you just not know it is a problem?
cat_doorman

Showing 1 response by mijostyn

Cat, the sound of any system is a moving target but it does come down to what you hear. Imaging and sound stage are easy to qualify, tonal balance is not. Without a "calibrated" reference it is impossible to know what you are listening to. It is not at all uncommon to see people prefer systems that are way out of whack. A good example is if I increase a systems treble 3 to 6 db over 4 kHz many if not most audiophiles will think this is better. Distortion over a certain percentage is rather obvious and dysphoric. 
This is where good headphones come in. If you are not sure where you are listen back and forth between your headphones and the system. Ideally the tonal balance should be the same at the listening position. 
Describe what you hear as an image in a diary with three program sources that you know inside out. 
Listen to as many systems as you can. The best systems will float an image in space giving you a sense of three dimensions most systems will only give you two dimensions. 
Having said all this, your system is your system and if you prefer it a certain way that is your prerogative.
Others have mentioned comparing a system with live acoustic instruments. How are you going to play live acoustic instruments through your system? Those instruments are going to be affected by the room they are playing in, a situation you have no way of replicating.  
Good systems are always an evolutionary process. So you listen to as many systems as you can. Keeping a diary of your experience is always helpful. The system you liked the best is the one you start to emulate.