How did 70s rock music transition into 80s music?


80s music appeared to be a re-visitation of the beginning of Rock — when "singles" ruled the AM radio. In those early days, in the event that a craftsman had a hit, he/she could get to record an "collection" (when those modern LP records appeared). A LP could have two hits and 10 tunes of forgettable filler melodies. Most craftsmen were characterized by their hit singles.

The 60s and 70s saw an ascent in FM radio and AOR (Album Oriented Rock) which gave numerous specialists the opportunity to make bigger works, or gatherings of melodies which frequently remained all in all work, and empowered a more extended tuning in/focus time. Beside funk and disco dance hits, the 70s inclined towards Album Oriented Rock.

The 80s saw a swing away from longer works and AOR, and back towards snappy singles. I'd say MTV had a great deal to do with the progress to 80s music. ("Video killed the radio star"):

MTV presented many gatherings who had fantastic singles, yet probably won't have accomplished acknowledgment without MTV video openness: Squeeze, The Vapors, Duran, Adam and the Ants, the B-52s, The Cars — to give some examples. (Note, I said "may" — yet that is my hypothesis.)
MTV constrained many long settled stars — David Bowie, Rod Stewart, even The Rolling Stones — to make video-commendable tunes. (That is — SINGLES.)
Peter Gabriel is a story regardless of anyone else's opinion. He was genuinely known from his Genesis Days — yet those astonishing recordings of "For sure" and "Demolition hammer" certainly kicked him into the super frightening.
MTV — after a ton of asking, cajoling, and dangers — at last changed their bigoted whites-just strategy, and began broadcasting recordings by people like Michael Jackson and Prince — presenting various dark craftsman to a lot bigger crowd.
In outline, I think MTV during the 80s — and later the Internet and YouTube — abbreviated individuals' capacity to focus, made a market weighty on short snappy singles, and made it progressively hard for craftsman to make "collections" which would allow them an opportunity to introduce their bigger vision.

davidjohan

Showing 3 responses by mitchagain

The new bands of the late 70's and early 80's had much to rebel against, whether it was disco, bombastic prog rock (ELP, etc)  or what was being labeled as corporate rock (Boston, REO, etc). Many will argue that rebellion of some kind is essential for good rock music.

Here's some more late 70's and early 80's bands that I don't think have been mentioned yet:

Be-bop Deluxe, Billy Bragg, The Blue Nile, The Bongos, The Church, Concrete Blonde, The Connels, The DB's, The Divinyls, Don Dixon, Thomas Dolby, Echo and the Bunnymen, Everything But The Girl, Fetchin' Bones, Grapes of Wrath, Hoodoo Gurus, House of Love, Hunters & Collectors, Icehouse, Joe Jackson, Robin Lane & the Chartbusters, Midnight Oil, The Pretenders, The Railway Children, The Replacements, The Shoes, The Silencers, The Smithereens, The Spoons (Canadian band), The The (my vote for the greatest band name), Translator, The Waterboys and Was Not Was.

 

edcyn - One of my favorite quotes is from Ralph Waldo Emerson: "All my best thoughts were stolen by the ancients."

A big reason why I liked the music of the late 70's thru the 80's was that I thought those bands were taking their influences and creating a new and interesting take on what had influenced them.

Bands influenced by the Beatles included: The Bongos, Grapes of Wrath, The Smiths and XTC. Bands influenced by the Rolling Stones included: The Del Fuegos and The Replacements. And, there were a ton of bands that were influenced by the garage/psychedelic bands of the 60's such as: Echo and the Bunnymen, Teardrop Explodes, Hoodoo Gurus, XTC (+ alter ego The Dukes of Stratosphere), along with the Paisley Underground scene in LA (Bangles, Green on Red, Plimsouls, etc).

But, to me, I think Be Bop Deluxe had the craziest and probably most inspired idea to attempt fusing prog rock (Yes) with glam (Bowie & T-Rex).When it worked it was brilliant and when it didn't, it was a train wreck!

Am glad to see somebody finally mentioned Roxy Music (Bryan Ferry as a solo act got mentioned early in the thread). A few others that have slipped under the radar include:

Art of Noise, The Beautiful South, Bow Wow Wow, Jim Carroll, House of Freaks, It's Immaterial, Pixies, The Stranglers, Talk Talk, Teardrop Explodes, Throwing Muses and the Violent Femmes.