I don’t have to be competitive. No one that has heard my system has ever heard any better. Yes I know that will get me dogs abuse but it really is true. The key is the ability to set the Audiopax timbre lock 💯 correctly. Try it. You can’t!
A link to a phone video tells you nothing of its quality. When you come to UK you are very welcome And yes it’s VERY VERY special. A listener yesterday used the word ‘perfect’. I hesitate to agree but it is pretty damn close
‘Studio grade’ eh Carlos? Well I’ve produced and mixed multi million selling LPs and having worked at amongst others Abbey Road their playback system couldn’t hold a candle to mine. I once had to install decent loudspeaker cable in the evaluation system of an A&R man at EMI. He couldn’t believe the improvement.
The proof is in the pudding Carlos. I’m confident my system will outperform yours because unlike you I WAS ‘in the room’ ( to misquote Hamilton) and as you know that extends to an invite to you to come listen. Enough of the pissing contest. Talk is cheap
Hey Carlos. The difference between you and me and setting up systems is you weren’t in the studio producing /mixing/mastering the multi million selling and yes No1 records. I was.
you THINK you know what sounds ‘right’ whereas I actually do. My wall of gold platinum and multi platinum discs attests.
Yes yes Carlos. We hear you. It tells you NOTHING But and it’s a big but I have cordially invited you to come listen and while this convo remains civil I extend it again. Talk is cheap. I’m putting my system where my mouth is.
My system is based round the unique and astonishing Audiopax amp with timbre lock. The latter the most amazing but utterly baffling but also utter revolutionary design of the sadly departed genius Eduardo de Lima. Having mastered how to set it properly that allows me to be confident in the sound in my pretty small listening room. I also use an optical cart on my TT and for digital it’s the aforementioned EMM Labs. I recently added a 2 track 2 c reel to reel. What’s yours Carlos?
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