How can we settle for digital?


My friend, a recording engineer, once made a remark when I told him I had spent $3000 on a CD player. He said "How far can you polish a turd?" Those I know in the music business all agree that digital can only go so far. Vinyl is certainly making a comeback, but the advent of new digital formats seems to perpetuate new hope on the part of audiophiles. Do you buy it? Or are you sticking with your records? Or will you stand up for your $3000+ CDP? Is it just polishing a turd?
chashmal

Showing 1 response by gs5556

Are you asking us if it's foolish to spend $3K on a CDP? Just keep in mind that a price point is where the manufacturer stops adding any more value to something. If you take two identical boxes and fit them each with the same laser/transport, filter and DAC you can get two different sounding CDP's. Just use better transformers, filter caps, wiring/PCB's, output transistors and hardware. That one would cost more and (should) sound better. Will it sound good enough to justify the difference? That's where you come in to the equation.

I think what your friend is trying to convey is that the actual retrieval process hasn't changed over the years and the differences in parts and engineering are the polish. I happen to disagree - for what makes one CDP sound better than another is the same reason why one amp sounds better than another: power supply, voltage/current regulation and linear output devices. They cost big money as you move up the food chain and account for a large percentage of the overall cost. Add to that dampening, shielding and circuitry layout that minimizes signal path distortion and you get the idea.