The spindle itself is a solid, machine cylinder made of stainless steel usually. How can it possibly hurt the spindle to pull up on it as with a record clamp? On the other hand a record weight undeniably puts added burden on the bearing and thrust pad. Those are wearable items. Somehow, the reasoning of the foregoing statement (see previous post) eludes me. The whole point of a record clamp is that it improves contact between the record and the mat without adding any appreciable stress to the bearing and thrust pad.
Hot off the press...Technics SL 1300G
I'm an admirer of the current lineup. Appears to be solid for the price point-$3200?
https://www.technics.com/uk/products/grand-class/turntables/sl-1300g.html
Once a Matt is on that platter, can a reflex clamp be used on that stubby spindle?
What do you DD users do with those less than flat gems found in the bins?
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@ozzy62 I was also curious about Technics 1200G a few months ago. I went to a local seller’s house to audition. It is a very good TT for the price. I liked the energy (especially good for reproducing live music) and accuracy. In spite of all the great qualities, I did not move forward with the purchase. To my ears, it was ’too’ neutral. Again, this is not a negative as I’m sure for many people this is a huge plus. My old Micro Seiki TT, while nowhere close to Technics in terms of accuracy, energy, and stability, has a certain ’bloom’ that I quite prefer. It adds a bit of romanticism to the music, albeit, at the expense of accuracy. My digital front end is quite good at the moment, so when I listen to analog, I want it to sound different and not necessarily better. I found the sound of 1200G closer to my digital setup. But with that being said, I’m conscious of the fact that what I heard at the seller’s house that day was his entire system and not just the 1200G. It is quite possible that I might have reached an entirely different conclusion had I heard the 1200G in my own system. I remain interested in acquiring a 1200G at some point though. |
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