Spike,
My educated guess is that the Fs were starting to be overdriven at that point, which as I understand it was common and easy to do with the Fs, and their acknowledged achilles heel that Strohbeen tackled by switching to the CLS design with Walsh driver not as wide range as the F Walsh driver.
I may still have a similar cassette recording of Babylon sitting around. I'll have to give it a play on the latest and greatest Walshes from OHM and see if I hear anything. I have not noticed the sonic artifact you describe on any CLS OHMs I have owned, however.
My educated guess is that the Fs were starting to be overdriven at that point, which as I understand it was common and easy to do with the Fs, and their acknowledged achilles heel that Strohbeen tackled by switching to the CLS design with Walsh driver not as wide range as the F Walsh driver.
I may still have a similar cassette recording of Babylon sitting around. I'll have to give it a play on the latest and greatest Walshes from OHM and see if I hear anything. I have not noticed the sonic artifact you describe on any CLS OHMs I have owned, however.