Tonearm is going to be a low mass version of the Audiomods Series Six. Effective mass is 8.9 grams.
High Performance Moving Iron Cartridge Candidates?
I have decided to simplify my analog set up a bit. removed the fussy cartridges and SUT's, and am down to one external phono stage, and the internal one in my Trinov preamp.
The Trinov preamp is MM only, and I don;t want to use a step up or headamp with it. So that means high output moving coil or a MM type cartridge.
I read on these boards that a MI cartridge can have lower moving mass than a moving coil I would like to experiment.
What are the viable candidates these days? I imagine most vintage ones do not have OEM styli available still. The Soundsmith ones are interesting, but get very spendy. This is meant to be a casual cartridge for me, but I will spend some money on it. Just not Air Tight or Koetsu money.
What are other choices? Not typically fond of Grado I heard in the past. Otherwise I think Nagaoka is the only other one I know of?
Showing 6 responses by neonknight
@jasonbourne71 That is my other option. I have looked at HOMC versions of cartridges from Dynavector and Benz Micro. Since Excel built many HOMC cartridges in the past for companies, I wonder how much the changed in the innards with their Hana HOMC offering. One thing I remember from a number of years ago is a needle drop a friend had that was made on an AR turntable with a Shure V15MR on it. Sounded very nice! I would be open to a V15 but I wonder if the OEM cantilevers can be retipped? Arent they a beryllium tube? So I doubt a new diamond can be fitted to them, and that leaves something like a Jico stylus which is supposed to be good but not the same. If I go that route then I might as well find an appropriate Shure body right? Are the V bodies the best of the bunch or were there differences? |
Some questions about Soundsmith. As I understand it earlier cartridge designs were built upon the B&O architecture. Is there some point the designs evolved past them? Are any of the current cartridges still based on them? One thought comes to mind. Soundsmith won't be around forever, or will at least transition at some point. I don't think we can bank on their rebuild costs model staying the same whenever things do change. Koetsu is a recent reminder of this. Grado is a cartridge I have never been fond of. Do the Nagoaka have a bit more sparkle and presence than them? |
I was hoping people would have read a little closer. The arm being used is just under 9 grams. As I understand things, a cartridge like a London Decca isn't going to be happy in an arm of that mass. Please do let me know if I am wrong. Secondly, how are we getting them serviced these days? Secondly, the phono stage being used is the one onboard the Trinov preamp. My Esoteric E-03 already has a Transfiguration Proteus and a gen 1 Kiseki Blackheart hooked up to it. So this cartridge is not going to be a low output one. Which actually knocks out a lot of the Soundsmith currently listed on Audiogon and USAM. I don't have to make a choice this week as I can play vinyl on the other two cartridges. But the goal is to find a casual play cartridge that I can appreciate the sound on. Maybe the MP-500 is it, unless I find the appropriate Soundsmith one to put on this arm. |