I have had modest benefits using various sorbothane footers with turntables. I suspect they are more effective at blocking transmission of sound from whatever the turntable is sitting on than in reducing mechanical vibrations in the turntable, from the motor or platter. However I have found far better results applying small ( no dimension in excess of 1 inch) pieces of sorbothane to the body of the turntable. These need to be glued using the 3M self-stick which some sheets come with. I use a Lord industrial adhesive when I cannot get self-stick. This is however expensive and hard to find. I recommend thicker sorb, 1/4 to 1/2 inch and denser 70 duro. Sorb's claim to fame is converting mechanical energy to heat, so it really seems to be getting rid of it.
High mass vs Low Mass Turntables - Sound difference?
As I am recently back playing with analog gear after some 15 years away, I thought I would ask the long time experts here about the two major camps of record players -- high vs low mass-loaded-type tables...
For example, an equivalently priced VPI table (say a Classic, Aries or Prime) versus a Rega RP8/10 or equivalent Funk Firm table... the design philosophies are so different ... one built like a tank, the other like a lightweight sports car...
Just wondering if the folks here have had direct experience with such or similar tables, and what have been your experiences and sense of strengths and weaknesses of these two different types of tables.
For example, an equivalently priced VPI table (say a Classic, Aries or Prime) versus a Rega RP8/10 or equivalent Funk Firm table... the design philosophies are so different ... one built like a tank, the other like a lightweight sports car...
Just wondering if the folks here have had direct experience with such or similar tables, and what have been your experiences and sense of strengths and weaknesses of these two different types of tables.