...did I mention....isolation???
I had originally had the Hurricanes on two platforms hardly isolated enough. I borrowed some Zoethecus amp stands from a dealer, after I'd deduced that the amps might be vibrating and throwing off distortion.
Voila! on the Zoethecus stands, the distortion all but disappeared! I say "all but" because the Hale Revelation 3 speakers tend to become a bit distorted and grainy at peaks. It just goes to show that the isolation platforms -- which were okay in the basement because the concrete floor seemed to agitate the amps less -- can affect the sound tremendously.
I was reminded of the importance of isolation when I was re-reading an article in TAS, back in 1992, where HP reviwed, along with Michael Gindi, the Forsell turntable. While Gindi found no flaws with it, HP had averred that the bass was "slow" and rounded. Gindi, upon a hunch, removed his turntable from the 250 lb granite stand and put it on a very sturdy table,and, as he put it, voila! He got "slow and rounded bass" exactly as HP had said.
So, isolation is another important factor. I'd "done" the room with resilient channels and ASC's IsoWall system, but neglected the amp stands (although the equipment stands are Billy Baggs [good, but still not the best in terms of isolation -- the Zoethecus are MUCH better] as the culprits.
As I am very aware "everything makes a difference!"
I had originally had the Hurricanes on two platforms hardly isolated enough. I borrowed some Zoethecus amp stands from a dealer, after I'd deduced that the amps might be vibrating and throwing off distortion.
Voila! on the Zoethecus stands, the distortion all but disappeared! I say "all but" because the Hale Revelation 3 speakers tend to become a bit distorted and grainy at peaks. It just goes to show that the isolation platforms -- which were okay in the basement because the concrete floor seemed to agitate the amps less -- can affect the sound tremendously.
I was reminded of the importance of isolation when I was re-reading an article in TAS, back in 1992, where HP reviwed, along with Michael Gindi, the Forsell turntable. While Gindi found no flaws with it, HP had averred that the bass was "slow" and rounded. Gindi, upon a hunch, removed his turntable from the 250 lb granite stand and put it on a very sturdy table,and, as he put it, voila! He got "slow and rounded bass" exactly as HP had said.
So, isolation is another important factor. I'd "done" the room with resilient channels and ASC's IsoWall system, but neglected the amp stands (although the equipment stands are Billy Baggs [good, but still not the best in terms of isolation -- the Zoethecus are MUCH better] as the culprits.
As I am very aware "everything makes a difference!"