high-end vs. ultra high-end amplifiers


It is quite frustrating to know that some amplifiers (Boulder, FM Acoustics, Accuphase) are sounding better than even very expensive ones from the big boys (Mark Levinson, Krell, Bryston, Spectral). I wonder why there is such a difference. Madrigal, Krell, Bryston, Spectral, they all belong to the high-end sector of audio industry and they are claiming they are making the best amplifiers. But I know that this is not true: I've heard amplifiers from Boulder and FM Acoustics and they sound just better than the Madrigals, Krells and so on. Is it because Boulder and FM Acoustics have more know how about amplifier design (I suppose not) or do they use more expensive parts and better circuit topologies? Do they have brighter technicians and designers? There must be an explanation for this phenomenon. It isn't magic! Maybe someone from the audio industry can reply to this thread.
dazzdax

Showing 1 response by pls1

About two years ago I managed to compare about a dozen amps in the $10k to $30K (new). They all sounded good. They all sounded different, some very different.

Fortunately, my wife, who is as golden an ear as I've met and very picky about the sonic signatures of our equipment, and I preferred the same amp. Some of our friends preferred other amps. That's life in high end audio.