high end standmounts that do not punish poor recordings?


recently arrived a the realization that the variety of music I listen to simply does not lend itself well to many  'audiophile' speakers

closest I had to my current goal were Dynaudio Special 40's

Next best was Heritage Specials and then Totem element Fire v2 (screeching tweeter on the Totem)

Harbeth 30.2xd's and Super5plus xds definitely did not work for my recordings 

shortlist at the moment is Franco Serblin Accordo, KEF Reference 1 meta, Dynaudio Condifence 20

simple system to  be paired with my REL Carbon special and Hegel H600 (really love both these pieces)

appreciate any recommendations

 

audiocanada

Showing 1 response by joeycastillo

As others have posted a bad recording is just simply, a bad recording.

there is nothing that can be done. 

Now, if the recording is mediocre but you have a good resolving gear, then differences can be heard. subtle as it may be, but it can be heard if your gear can resolve it. 

I enjoy listening to my gear, especially when I play Vinyl. I have a small set of really good pressings and a lot of old records that i get from record stores on bargain. it is just me, but I listen to these old records as this reminds me of my grownup years but the recording is a hit and miss. So, if I want to hear how this was recorded and just the facts, then I use my clinical sounding speakers (ATC) and if I want a warm British sounding smooth and melodic sound, i switch to my Ls3/5a. and listen how this recording may sound. but again, if the recording sucks, then there is nothing that can be done