Hi Fi Hi End Verses Pro Audio Specs


Greetings
I have been a pro Electric bassist for over 50 years.
I also have done work as a sound man and have recorded in Studio
Also worked in Hi Fi and video sales and as a musical instrument Repair tech.
I have also worked for ADS Speaker Co in Wilmington,Ma.
I have always had this saying in the back of my head and would like to hear from the Hi end community.
Pro Audio vs Hi End Hi Fi.
When music is Recorded live or in Studio it is Music Production.
All Hi Fi no matter how expensive exotic or otherwise is The Reproduction of Music.
They have two different Electrical standards.
Knowing this and Knowing both Pro audio equipment and Consumer.
My vision of this hobby is to have a system that is a crossover between Hi fi and pro Audio.
I am seeking  a Particular sound as well as purity and design.
I would like to hear from the community.
Who uses Hi Fi mixed with Pro Audio in there systems?



128x128bstbomber

Showing 2 responses by shadorne

@bstbomber

ATC and PMC speakers serve both markets. Audiophile and studios (the really high end of pro-audio). ATC are well known for sounding exactly the same in the studio as they do in their domestic line. Same drivers and same electronics. The best sounding systems in the world are the main monitors in multi-million $ studios. They are used to impress clients. Blackbird Studios in Nashville is a typical example which you can find by googling.

Bass players like Sting and Roger Waters have used ATC for years, as have countless other musicians.

Here is a list

http://atcloudspeakers.co.uk/client-list/

my current setup

https://systems.audiogon.com/systems/6257

I had several systems in the past with used gear from studios in LA as well as Minneapolis.
In the last 15 or so years, Telarc used ATC SCM 150 in studio and SCM 20s for mobile work.

After about 1978, many studios went away from JBL horns, ADS, Urei horns and installed mostly Genelec and ATC for mains. (Horns lost ground as amplifiers became more powerful) Meter bridge monitors would have been a mixed bag with several choices that usually included Yamaha NS10 and sometimes small Tannoy concentrics.