Gawdbless,
I have the following equipment:
DAC: April Music Stello DA100
Pre-amp: April Music Stello HP100
Amp: NAD C320BEE (I use the power section only)
Speakers: Acoustic Energy Aegis Evo Three
I understand that it's far from being super hi-end, but I do not belong to the category of "New Russians" (nouveau riche). I live 6000 kms away from Moscow in the place where - ok, where it's hard to be an audiophile.
You ask me what caused my angst. Well, don't you find it exasperating when you get an album by one of your favorite bands only to find it to be just another totally unlistenable victim of Loudness Wars, you log in to the band's forum hoping that other fans of this band share your indignation at how your favorite music was mutilated by sound producers. But instead of the collective support you find either the absolute incomprehension, or attempts to defend the squashed dynamics.
When I listen to some heavy metal albums (BM included), which have fallen prey to Loudness Wars, I feel robbed of something very important which the musicians tried to bring to me, but it never made its way to me, because of the interference of studio men. They stole it. Threw it away. It wasn't considered important by them. Arghhh!!! I almost visualize the strangled sine waveforms, which, as they oscillate in a ridiculously narrow range left to them, choke and strive for BREATHING, throbbing against the zero dB ceiling. Like a fish dying under the ice of the lack of oxygen...
I have the following equipment:
DAC: April Music Stello DA100
Pre-amp: April Music Stello HP100
Amp: NAD C320BEE (I use the power section only)
Speakers: Acoustic Energy Aegis Evo Three
I understand that it's far from being super hi-end, but I do not belong to the category of "New Russians" (nouveau riche). I live 6000 kms away from Moscow in the place where - ok, where it's hard to be an audiophile.
You ask me what caused my angst. Well, don't you find it exasperating when you get an album by one of your favorite bands only to find it to be just another totally unlistenable victim of Loudness Wars, you log in to the band's forum hoping that other fans of this band share your indignation at how your favorite music was mutilated by sound producers. But instead of the collective support you find either the absolute incomprehension, or attempts to defend the squashed dynamics.
When I listen to some heavy metal albums (BM included), which have fallen prey to Loudness Wars, I feel robbed of something very important which the musicians tried to bring to me, but it never made its way to me, because of the interference of studio men. They stole it. Threw it away. It wasn't considered important by them. Arghhh!!! I almost visualize the strangled sine waveforms, which, as they oscillate in a ridiculously narrow range left to them, choke and strive for BREATHING, throbbing against the zero dB ceiling. Like a fish dying under the ice of the lack of oxygen...