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Help a confused newbie build his first setup...

Hello everyone,

After saving my pennies for the last few years, I have finally saved up the money to buy some speakers but to be honest I am confused with two thing and would love everyones opinion. First off, what would be a better bang for the buck, floor standers or monitors?. I am a musician by trade with good ears that listens to everything and love to hear things as truthfully as possible. To me accuracy, neutrality, musicality, and soundstage are very important. For instance, I am not concern about bloated, unrealistic bass, since I know exactly how a bass should sound like. I need a speaker that can handle different situation effectively. Additionally, my living room is connected to a dinning room and kitchen. The living room itself is 20 X 12 with 10 foot high ceiling.

My other concern is how much do I need to spend. Right now all I have is a dac going going to airport express. I was thinking of buying a good speaker first then buying a fairly cheap amp and upgrade later. Is that the right way to go about it? I do know I want to use SS amp for this setup since it is overall easier for me. All this being said, I have collected $1000 so far but am not sure if this would be enough to get a good setup. I do not mind saving up if I have to.

What would be your ideal setup for the following price points (amp included if possible).

$1000

$2000

$3000

Thank you in advance and let me know if you would like more information.
aldres

Showing 1 response by audiokinesis

audiokinesis
2,763 posts
 
Once we get far enough away from the speakers that the reverberant field dominates over the direct sound, it really doesn't matter whether the sound originated from a point source or a line source. And by the time we're outside the main listening room, the 3 dB per distance doubling falloff advantage of line source propagation is disrupted anyway.

Imho more important than line source vs point source propagation is the off-axis response smoothness, which will establish the tonal balance at greater-than-normal listening distances, whether on-axis or off or in the next room.

Duke
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