Have you heard the latest Merlin VSM-MXe speakers?


Have you heard the latest Merlin VSM-MXe Speakers? — "Wow!!!" That's what I said after setting up these wonderful and beautiful speakers and listening for about one minute to a very familiar CD. I mean straight out of the box with only about 8 hours of playing time at the factory they simply overwhelmed me! Where have they been all my audiophile life? Why did I not find Bobby Palkovic's masterpiece before now?

How could he make this kind of music with two drivers in not so big, but absolutely drop-dead gorgeous piano black lacquered, cabinets, and an electronic box called a 'Super BAM'? I don't know! Wow!!! In my 50 years of putting systems together... including such speakers as double KLH-9 and Martin-Logan electrostatics... Fulton Premiers... the biggest of the Magneplaner speakers with the four bass panels... Wilson Watt Puppies with the Whow... and, on and on. Merlin VSM-MXe's are the BEST!

I've had them breaking in for 10 days now, and they have compelled me to listen to one favorite CD after another into the wee hours of the night. They are so musical! They have just the right texture... female vocals have that "slobber" factor... strings twang with all the nuances. They are coherent and transparent... and, oh so dynamic! The soundstage is deep and wide with the right height. And, when you close your eyes they simply disappear, leaving you with the people and the instruments performing right there in your living room. They make music!

Folks, don't ever listen to these speakers if you can't buy them... you will be sick until you can. Bobby, you did it!

I first purchased the Merlin TSM-MMe Monitors about one year ago after a respected dealer told me I should try them. I was totally satisfied with the sound, even though I was missing a little on the bottom end. They are the best monitor speakers I've ever had. But, I kept thinking, "If the TSM's are this good, how could the VSM's be so much better?" So, I just had to see... you know... the audiophile thing.

If you have never had Merlin speakers, the TSM's are a good place to start, and they will wet your appetite. But, just know that one day, as I was compelled to do, you will have to step up and get the big ones. They are complete! You will instantly hear what you have been missing in other speaker systems.

Now, I can sit back, relax, and enjoy the music. It's all there!
Skooks
skooks

Showing 2 responses by martykl

On VSM Amplification....

Since the thread has moved onto partnered amplification, I 'll share a recent experience. Disclosure: this tale winds a bit.

I regularly use 3 speakers: recently upgraded VSMs, Verity Parsifal Encores, and Sonus Faber Cremonas. Until recently, the SFs were powered by an ARC LS25 and VT 130SE in my living room. The P/E and VSMs share time upstairs in my music room (still a work in progress) mostly driven by a pair of Cary 805.

A recent decorating project moved the ARC electronics upstairs as part of a spouse mandated "clean-up" project. In my experience, he SFs are remarkeably forgiving of electronics and I left them hooked up to my Sonos zone player - a piss poor 50W integrated/networked digital source that is small enough to meet the new decor standards. Sure enough, it sounded surprisingly good, until the volume went up. Then, the forgiveness stopped.

Maybe there's a stylish cheapish, amp out there -with sufficient current and WAF to fix the problem. I decided to try some small, lacquer finished 125W SS mono amps called the TAD Hibachis - in home trial, $1300, not much to lose. And it worked like a charm - much better than I was looking for - but, as it turns out, maybe not quite small enough to meet the decor requirement.

Rather than return them straight away, I brought them upstairs where the Merlin (as usual) was hooked up. The Hibachis looked good next to the black lacquer VSMs, so I figured I'd give it a shot. (I understand the heresy of SS amplification with the VSMs, but this was mainly just for curiosity.) In short, the result was very educational.

IMHO, The Cary has the best bottom end of any SET amp that I've heard. But the little TADs completely (and I mean completely) transformed the bass response of the VSMs. Anyone who worries about insufficient bass from the Merlins shouls at least try a high output SS amp to establish a benchmark for the speakers' bass capabilities. I'm not recommending this combo - you definitely lose some mid-range "magic" - but you'll learn something important about the capabilities of the VSM.

Next, I'll try the TAD w/the Veity P/E and see what happens. In the meantime, it seems with one small "risk free" purchase, I've managed to screw up 3 systems. The SF still has no power amp. I need to find a better mate for my VSMs, and the Verity P/Es have 2 avbailable amps for part-time duty.

Key lesson here - the VSM keeps surprising me with its ability to reveal the character of everything in front of it. Almost a year after the upgrade, I'm still enjoying this speaker immensely.

Marty
Tabl10s,

Reviews probably aren't my thing, because I tend to qualify my opinions to the point where I'm not sure they're really useful for evaluation purposes. I will offer descriptive accounts though, and to that end I compared the Merlins with the Verity a bit on a thread called "My Merlin upgrade experience". To recap and expand a bit on those comments:

IMHO The VSMs and P/Es are 2 wonderful speaker systems, each among the best performers I've ever heard - again, qualified by my preferences. (I'd call my Cremonas very, very good speakers). The Merlins are more revealing - for better and worse - of what's infront of them. Better, because that's the point of the game (at least in one respect). Worse, because so much of the stuff in front of them is revealed to be lacking-particularly recordings, and more paricularly rock recordings.

The P/Es are wonderful, musical, and pretty revealing in their own right, just not to the same degree as the VSM. The Cremonas are the least transparent, most forgiving of the three. They are both warm and alive with a bit of a bump in the presence range to offfset the bump in the upper bass. Even mediocre records tend to sound decent on the Cremona, and for this reason they are probably a very good choice for many people.

The Verity walks the middle ground - just a smidge warm of neutral. The VSMs have evolved from slightly lean (SE) to damn near dead neutral (MX) IMHO. To my ear, the MX with the current BAM, sounds an awful lot like old Quads seamlessly mated to a very good subwoofer with extention to +/- 30 hz.

Since I had the Merlins upgraded, they have pretty much replaced the P/Es in my main system. When I do switch over to the Verity, I enjoy what I hear. The sound is different and may show a new "take" on a recording that is surprising and pleasing. But the truth is, thus far, I usually flip back to the VSMs pretty quickly. I could certainly live happily with either, but I live more happily with both.

Marty

PS - Bobby, at some point I'll rationalize all my stuff (i.e shed some gear) and then figure out the best mate for my VSMs. I'll be sure to check out BEL.