Have Passive Preamps Finally Come of Age?


Back in the late 90s (eons ago) I tried a variety of passive preamps (PPs). The most musical was an autoformer, but back then my system was not balanced. For the last decade I have been using active preamps, both tube and solid state, but finding a quality balanced preamp under $4K is damn near impossible. Enter the Parasound P5 (2.1), which in addition to having balanced I/Os, it has a separate bass management circuit (MSRP $1095), and I was hoping it would provide better control over the built in class D plates incorporated into my 2 SVS powered subs, whose volume controls are STUPIDLY sensitive: when barely cracked from zero they overwhelm. Alas, no bueno. 

Recently i watched a PS Audio YT video that was emphatic about NOT connecting powered subs with interconnects; instead he recommends speaker cables piggybacked off the main systems amp/s. I had a spare set of DIY flat copper cables, and was shocked how much better they sounded, but doing so did not change the  volume control problem and unfortunately this id not bypass the SVS amps whose class D chips are now ancient. Thinking there could be an impedance problem led me to revisit PPs.

I sold my P5 and was using the XLR outs from my Oppo 105 (upgraded power supply and IEC/wiring to the power supply) direct to my Emerald Physics 100.2SEs (class D). The noise floor dropped tremendously, allowing me a much better view into the music. My Core Power Technologies 1800 PLC had more than a little to do with this, but...  

Days of PP research later, I came across LDRs, which seem like the ultimate PP option, but XLR versions are ~ $2K and up, with the Tortuga coming in at $2700, seems like a true SOTA bargain, just not in my current budget. Scouring the' for sale' sites I came across a Hattor XLR (MSRP $995) which was in my price range. Hattor's www had links to 2 reviews both were extremely positive: one used it in combination with a class D amp. Bingo! I snapped it up.

It arrived late yesterday, although Hattor's www pictures look awesome, they do not compare to seeing and touching it. The metal carrying case was an indication of the designer's dedication. This is an etremely well made piece of kit, but how does it sound? Alas it came with no manual and Hattor's site does not have a PDF. How hard can it be to hook up? Well, after a couple scary minutes, I discovered that it would not light up until I connected the 105. 

Stone cold, the first thing that shocked me was a further reduction in noise floor and an incredibly wide and deep sound stage, but as can be expected, it was dry. Fingers crossed, in about a half hour I began to be rewarded with texture as well. Tis only got better as the night wore on

I hope somebody chimes in with their Tortuga experience, or any other high quality PP information.that goes under the reporting radar. 
tweak1

Showing 14 responses by georgehifi


and how is one assured of that?


Quite easy, just look at your specs of your source and your amp. Or if you have difficulty in doing that just post the brand and model of your source/s and amp up here, I will look them up for you. A I’ll give in detail what they are doing.
Cheers George
1. I believe NPass is speaking to a perfect electronic interface world, which would necessitate building ones system around a PP, as opposed to trying to insert one into a active preamp system

I believe it does, and that "perfect electronic interface" is available in systems much much more than not.

1: If the source has more output voltage than the amp has input sensitivity to give full output. This is maybe in 100% of cases.
(I have yet to see a source with less output voltage than the amp needs input voltage to make it clip) 

2: The ratio of output impedance to input impedance, of the source to passive and from the passive to the amps,  are both 1:10 ratio or more, this also would be in at least 90% of cases. 

Then you have what you call,  that "perfect electronic interface" for a passive to work as it should, which is getting the source signal to the amps in the most transparent, undistorted, uncoloured, unhindered way.

Cheers George  
I think TVCs are the way to go passively and don't experience the loss of dynamics,
TVC's are also great, but they do have their own colouration if you don't mind that, as that poor weak source signal has to go through a "mile" of very thin transformer wire winding and back out again, they are not as transparent to the source as other passives.
Plus never get one with "gain" stay with unity, as they do have a tenancy to "ring" from the test we've seen.

Cheers George  
If a passive has a buffer stage, is it still a passive?


No! If the signal goes through an active circuit it’s an active preamp with no gain.

Cheers George
When you they want to know several things about what you listen with, so the passive preamp can have its impedance matched to your particular system.

If using a ladder network (no.2), the best, this is a bit of a sales gimmick, a 10kohm passive is what’s needed for most. EG: The only time I can see say a 50 or 100kohm passive being needed, is if the source has an output impedance of over 5kohm (yuck!) and the poweramp amp happens to be maybe a Rogue that has 1 megohm input impedance.

If they use just a fixed series resistance and vary the shunt resistor (no.3) to ground, which is not as good as the ladder, then yes they can sort of tune it a bit better for different conditions, but this shunt series method varies wildly in it’s I/O impedance, unlike the ladder far more stable. I think you’d be better off just using an Alps Blue Velvet (RK27) or Alps Black Beauty (RK40) at 10kohm. See linked diagram.

https://ibb.co/fXy008

Cheers George
mrdecibel
I so much prefer no preamp. I am currently shopping for a passive, with multiple inputs, as the amp I would like to use is very high gain ( it was designed to be used with the source voltage driving it ). It is likely I will never use a preamp again. Enjoy ! MrD.

MrD you want a 10kohm passive, as that will serve most situations, as most s/s sources can drive 10kohm no problems, and a 10kohm pot has at worst around 2.5kohm output which will drive almost all poweramps >33kohm input.

1: For the cheapest option, you could go Schiit Sys, for $49 it’s 10kohm with 2 inputs one output.
http://www.schiit.com/products/sys
2: Then there the Saga which is 10kohm passive with a better relay pot and it has output tube output select’able if desired 5 inputs two outputs.
http://www.schiit.com/products/saga
3: There are a few LDR some passive including mine which mimics a 10kohm pot.

I’m sure there are many others

Cheers George




Whatever kosst 
Like I said on the other tread, Go away now, you are so annoying.
Have Passive Preamps Finally Come of Age?


Passive preamps are coming of age, not because of themselves, but because the sources today can do the job 90% of the time without the need of active preamps, and in many cases better, in some cases without the need of passives also if the source has it’s own volume control, which is becoming more and more the norm.
  
I see active expensive pre’s as a bit of a dinosaur slowly becoming extinct, far cheaper more transparent/dynamic passives as an interim move, before all sources have their own volume control.
But switching between sources will have to be worked out, but you definitely don’t need a mega dollar preamp to do a source switching job, a $100 dollar switch box can do that.

Cheers George
George always leaves out the rest of Nelson's words
Because 90% of systems are a great match for passives, and are the most dynamic /transparent way of getting the source to the amp except for going direct if you can do it without "bit stripping".
Here's Wadia take on going direct and Mark Levinson does the same.
https://ibb.co/kc4OCo


Cheers George
Just found their site, they have an extensive range, of what looks to be well made products, including a tube one
http://www.hattor.com/index2.html#ultimate

Cheers George
These are two Hattor’s.
Passive, which I believe you have, which what looks to be Kozmho switched volume control, which I believe is a fixed series resistor and variable ones to ground, which will vary it’s i/o impedance’s at different volume levels, best to me is ladder ones, where the series and shunt resistors work in opposites to each other to give a more constant I/O impedance
https://www.audiocircle.com/index.php?topic=145833.0

And the active buffered Hattor which used an opamp.
http://mockingbirddistribution.mockingbirddistr.netdna-cdn.com/wp-content/uploads/2018/03/Hattor-Min...

Here are some different ways of doing a volume control, quad matched ldr is a ladder
https://www.stereo.net.au/forums/uploads/monthly_2018_06/Capture.JPG.93bbd2ce49060300b06abfd1a62ce8f...

Cheers George

The PPs suck dry musical dynamics, timing and related details.

That could be true if you weren’t impedance matched.
An active preamp can’t "make" these out of thin air, compared to a "impedance matched" passive preamp, it's already there in the music that comes from the source.  
Remember what Nelson Pass says about passive preamps

Remember what Nelson Pass says about passive preamps

"What could be better? Hardly any noise or distortion added by these simple passive parts. No feedback, no worrying about what type of capacitors – just musical perfection.

And yet there are guys out there who don’t care for the result. “It sucks the life out of the music”, is a commonly heard refrain (really - I’m being serious here!). Maybe they are reacting psychologically to the need to turn the volume control up compared to an active preamp."


Cheers George