Has anyone considered reverse stereo playback?


My experience with recordings in the home stereo cd playback is that they are many times a reverse soundstage from the actual concert experience. It really bothers me that the piano, guitar etc. are on the opposite side of my room from what it was in the actual concert. I am at the point of reversing my speaker wires to better capture the "concert experience". Does this bother anyone else? What have you done about it? Is this something I should accept?
jprints
Severa early stereo preamps had a L R reverse function. Too bad that function has been dropped.
I also used to have an integrated amp that had a reverse function. I wish the recording studios used a standard for playback to at least attempt to match what will or has been done in the concert setting. One more reason to bash the recording producers! I am seeing no consistancy between artist. Even the live performance recordings are reversed at times. I am also amazed that many Audiogoners are quick to compete with each other over cable or equipment choices to reach the best sound reproduction yet no blame goes to the recording industry. Thanks for all your remarks to this point.
This is a MAJOR PROBLEM!
ONLY IF you play the DRUMS,
like myself.
ALOT of RUSH cd`s will, for example
have Neil Peart`s Hi-Hat in a
LEFT microphone, HOWEVER, IF you go
see Rush Live, Neil`s Hi-hat cymbals
would be coming out of the RIGHT side,
OR STAGE LEFT, as in EXIT...STAGE LEFT!
Sorry, had to throw that in there.
I`ve also noticed this on alot of
Fates Warning cd`s as well.
It makes it hard to play along to the
music while playing the drums at the
same time!
HOWEVER, this problem will NOT effect
ANY OTHER INSTRUMENT! ONLY if you play drums!
No, it's primarily a problem for classical music. It's disconcerting (dis-concerting?) to hear an orchestra or string quartet set up in a mirror image.

As for drums, I don't think it's generally a good mixing practice to have them spread out on the left and right. It can sound cool in a sound-effect-y sort of way, and sometimes that can be an artistic choice, but you get a stereo image of a drummer that has arms about eight feet long. This detracts from audience-perspective recordings, jazz combos, and the like.