Has anyone added a Master Clock to UpTone EtherREGEN Yet? It’s Insane!
Would love to hear from anyone that has added a master clock to their UpTone Audio EtherREGEN?
I wanted to start a thread and get some of your feedback. It is truly a system changing upgrade!
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Full Disclosure: I own CTronic Music Boston - Distributor for AfterDark.
I started this company after I purchased an AfterDark Queen Master Clock and hooked it to my EtherREGEN and it blew me away! Right off my listening chair. I mean I was absolutely amazed! Every single customer has been absolutely blown away and I wanted to hear from other folks. Maybe using another brand or have tried it and I want to hear from them. Stereotimes has just finished a professional review and he was blown away. The reviewer was so impressed he has bought much more gear from me. I am hoping to hear from others.
Below is my audio system for reference.
Associated Reference Equipment
Digital Sources: Bricasti Design M1 Special Edition MDx DAC w/Optional Network Card / Roon Endpoint Player, D/A Converter, Network Music Player; Antipodes S40 Music Server with v5.2H board (K30 music player engine) and Antipodes S60 External p Power Supply (HSL50-based Hybrid Power Supply, Network Music Server; iPad Air running Roon 1.8, Remote; UpTone Audio EitherREGEN; Network Audio Switch, Network Re-Clocker ; AfterDark OCXO Emperor Double Crown 10MHz Master Clock (75ohm, SinWave w/Mini Circuit BLP 10.7+ BNC Low Pass Filter, Master Clock.
Amplifier / Preamplifier: Ypsilon Phaethon Integrated Amplifier: A discrete, active preamp section sporting a pair of 6H30-DR super-tubes (PST 100mk2) that features transformer based volume attenuation. The preamp is matched to a pair of Aelius mono-blocks, class a, solid state. Michael Fremer from Stereophile described this preamp as the most perfect and transparent audio device he has EVER heard.
Loudspeakers: Focal Sopra 2 Loudspeakers in Walnut / Mat Black; These were chosen over the 3’s, Scala Evo’s and Magico S5 MKII for their exceptional ability to play most like a mini-monitor yet still offering close to full range reference performance.
Cables: Digital: Cardas Clear RJ/E, Linear Soulution RJ/E, Audioquest Vodka/Cinnamon/Forest RJ/E Cables, (Ethernet); Black Cat Silver Star 75, DH Labs Silver Sonic D-75, Tara Labs Prism 100-dx-1, MIT Terminator-3, (S/PDIF); Audioquest Chocolate 1.0M / Forrest 3.0M, (HDMI); AfterDark Eva Reference BNC 0.5M (Clock Cable); Apogee Electronics Wyde-Eye BNC 6”(Clock Cable), AfterDark Base BNC .05M (Clock Cable) (BNC) Interconnects: Nordost Frey 2 XLR 1.0M, Nordost Baldor XLR 1.0M (Balanced); Darwin Ascension 2.5’ RCA. Canare 1.0M (2),(RCA), (Single Ended); Speaker Cables: Nordost Frey 2 (4-Meters), AudioQuest Type-4/6 (3-meters), (Power AC Cables): Audience AU24SE HP 1.0M, Zu Audio Event MKI 1.5M (3), Echole Obsession 1.0M, (DC Cables): Ghent Audio 0.5M (4), Uptone Audio 1.0M, AfterDark Black River 0.5M,
Accessories: Equipment Rack: Solid Tech ROS Model4 Reference Audio Rack, (Isolation Platforms): SRA: Silent Running Audio: Ohio Class XL+ Isolation Platform, Synergistic Research Tranquility Basik SR20 w/Silver Tuning Bullet, Solid Tech Small TT Isolation Platforms, (Sundries): Red Dragon Audio Ceramic Cable Platforms, (Room Treatments): Synergistic Research Acoustic Field Generator - Atmosphere Mini Tower with Synergistic Research Atmosphere ATM Red Tuning Bullet and (15) Synergistic Research HTF‘s; (Footers, Weights and Vibration Clamps): Synergistic Research MiG 2.0 Couplers, IsoAcoustics Iso-Pucks (12), Aluminati Stainless 2.75 pound weights, Eden Sound Solid Brass weights, (AC Power Distribution and Protection): Furutech GTX-R Outlet, Oyaide R-1 Beryllium Outlets (2), PS Audio Noise Harvesters (6), Blue Circle Yalu-Balula Spike Protection (4), (Filterless Power Distribution: Synergistic Research Tesla QLS-6, PS Audio Juice Bar MK II and Audioquest IEC-3, (Filters: Low Pass and Network) Mini Circuits BLP 10.7+ 75Ohm BNC Filter, Merlin Audio Zobel Network Filters
- Fsmithjack
Showing 2 responses by kingbarbuda
@fsmithjack Here is the answer to my question. It is from John Swenson from the Audiophile Style thread https://audiophilestyle.com/forums/topic/59419-master-clock-for-your-etherregen/page/2/: ”The specific reason: the clock input goes into a very low additive phase noise clock synthesizer and all its inputs are designed for square waves.
More general reason: all the digital circuits that use clocks actually use squarewaves so feeding a sinewave into the system either doesn't work at all or gives much higher jitter.
Technical explanation of the above: All clock receivers have some form of threshold circuit, it changes state when the clock voltage goes through that threshold voltage. NO signals are ever perfect, there is ALWAYS some form of amplitude noise on the signal, AND the receiver itself always has some form of fluctuations on the threshold voltage. So think of the clock signal rising towards the threshold, as it gets nearer to the threshold the amplitude of the noise comes into play, the threshold might get passed when the noise is at its peak or at its lowest point, or some place in between. This noise on the signal causes an uncertainty as to when it will actually get to the threshold, otherwise known as jitter. The faster the voltage rise of the signal the lower the time uncertainty for a given noise amplitude. Thus a square wave with very fast rise and fall times will have much lower jitter than a sinewave which has a much slower changing voltage. This is the reason a circuit designed for square wave input MAY still work with a sinewave, but the jitter in the circuit clocked by the signal will be higher.
There ARE some ways to convert sinewaves into square waves, but the simple ways actually increase the noise on the signal making the jitter even worse. There are some ways to do it well but they are complex and expensive and take a lot of power. Putting one of those on the clock input of the EtherREGEN would have at least doubled the cost of the device, not worth it in my opinion.
BTW these master clocks provide both sinewave and squarewave outputs for different applications. Radio systems that need a very stable frequency reference for running into mixers etc want a sinewave. Digital systems want a square wave. Either system CAN use the other type, but won't work nearly as well. So it is best to get the type of master clock that works well with what you want to use it for. I hope that makes some sense. John S.” |