I can’t say this in a nice way, but this statement is made up. There is no basis for making it and absolutely no way to justify it. I have to assume it comes from a lack of understanding of digitized and reconstructed analog signals, and a belief in the perfection of vinyl (which it most certainly is not).
Unless someone has screwed up the code, which is possible, but unlikely, or you are using software that does loudness levelling or something like that, then there should be no difference in the files, and it is relatively easy to see if they are bit-perfect. I have not delved deep into the algorithms for playback, but it is my understanding that compression level can impact the amount of processing required to decompress, and if you are playing on a noisy computer, the added processor load and added memory usage, especially if you have other things running, could result in "noisier" playback, but that is unlikely to happen on any dedicated hardware, or a computer not overly burdened.
vintage vinyl has stereo + stereo depth perception (3d sound stage).digital audio has stereo + mono depth perception (2d sound stage) and this includes all new remastered vinyl cut from the digital master. this is why digital audio does not sound like vintage vinyl along with brick wall compression.
Unless someone has screwed up the code, which is possible, but unlikely, or you are using software that does loudness levelling or something like that, then there should be no difference in the files, and it is relatively easy to see if they are bit-perfect. I have not delved deep into the algorithms for playback, but it is my understanding that compression level can impact the amount of processing required to decompress, and if you are playing on a noisy computer, the added processor load and added memory usage, especially if you have other things running, could result in "noisier" playback, but that is unlikely to happen on any dedicated hardware, or a computer not overly burdened.