These things are always going to come down to individual releases, individual tastes and individual systems and on a macro level, it is hard to come to a consensus on the matter for those reasons. Still, in my experience there’s been no single half-speed master that I’ve ever heard or owned that I didn’t find was bested, often handily, by a well-regarded analog pressing from pre-1985. Some I have found sound really amazing until or unless you put them up against a vintage pressing. Then not so much.
With two exceptions, I’ve sold all the half-speed master version and kept the OG pressing. Not because these two--both 80s CBS Half Speed Master series releases of Elvis Costello’s Imperial Bedroom and Barabra Striesand’s Guilty--were better than original pressings, but because I can demonstrate to someone "Sounds incredible, right? Well this one, the original, sounds way better."
Buy a few, see what you think. I decided it wasn’t for me. I especially find the Abbey Road HSM jobs to be not good at all. They just sound like digitally-sourced vinyl to my ears. No thank you.