Great country recording


Hi all, I am looking for some great country recording albums by various artists. Really like the sound of steel guitar, acoustic guitar, fiddle, and of course vocals. Any recommendations? Thanks
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So many greats mentioned here.
I recently came across a Readers Digest double CD set of "The Unforgettable Jim Reeves". Some hard core country fans don’t like the combination of orchestration and country (I do) but the vocals are incredibly pure, clean and present - a very nice recording.
@ bgranger Very nice list; interesting to see Jimmy Lafave - one of my favorites. Another, oft times over looked artist, with a unique, yet smooth, draw you in kind of voice, was Jessy Winchester.
Happy listening to all.....Jim

Some excellent new additions above.

@reubent’s "Thinkin’ Problem" by David Ball, an absolute Hard Country classic in the tradition of Merle Haggard. I became an instant fan of David’s upon hearing it and him for the first time. Carrie Rodriquez & Chip Taylor (he’s the writer of "Wild Thing"!) made a coupla albums together, good stuff.

@ricpan: Cornell Hurd! He’s an Austin Texas institution, a great songwriter and live entertainer. He has the wit and humour of Dan Hicks, and has written some doozies. Junior Brown included one of them on an album of his, and Springfield Missouri’s The Skeletons (a great Roots Rock band) recorded his "If You Play With My Mind You’re Gonna get Your hands Dirty". The Skeletons’ drummer Bobby Lloyd Hicks was later a member of Dave Alvin’s (The Blasters) band. Hurd band drummer Lisa Pankratz was a member of Alvin’s band The Guilty Women.

Guitarist Paul Skelton plays on Hurd’s Fruit Shack album, and a bunch of others. He’s the guitarist of the first two albums by Wayne "The Train" Hancock, another Austin institution. Paul played in Hurd’s band when we were all still in San Jose, and then Paul and I moved to L.A. together in ’79 to seek our fame and fortune. When that didn’t pan out ;-) Paul moved to Austin to rejoin Hurd, living there until his death (a 2-pack a day man) in 2009.

To show you how small the music world is: Skelton played on those two Hancock albums, but didn’t go on the road with him. Guitarist Evan Johns did, which I didn’t know when a few years later my services were engaged for the recording of Evan’s Moontan album. Six degrees of separation!

Jessie Winchester’s debut album is a beaut, produced by The Band’s Robbie Robertson. It’s on Bearsville Records, started by The Band and Dylan manager Albert Grossman. Other Bearsville artist include NRBQ, Todd Rundgren, Foghat, Bobby Charles, and The Butterfield Blues band. Great label!

In the very late 60’s The Dillards did an album with Gene Clark of The Byrds, an album that was part of the late-60’s/early-70’s longhair Country movement, which also included Dylan’s John Wesley Harding and Nashville Skyline albums, the first two by The Band, The afore-mentioned Sweethearts Of The Rodeo by The Byrds and The Gilded Palace Of Sin by The Flying Burrito Brothers, Poco, Asleep At The Wheel, and Commander Cody & His Lost Planet Airmen (with steel guitar wiz The West Virginia Creeper and guitarist Bill Kirchen), a great live band.

If you want a great Country Record with a bluegrass accoustic feel go out and get Will The Circle Be Unbroken by The Nitty Gritty Dirt Band.  
LWCL-51158.  Sounds great, 3 record LP.  The Nitty Gritty Dirt Band recorded this in 1972 and enlisted a bunch of veterans to play with them.  I guess this is more of a bluegrass record than country but my reissue sounds great.  There's some banter inbetween songs.  Its great.  Also, In a modern release, look at Sturgill Simpson first 3 releases.  
@bdp24  - As usual, you are a wealth of knowledge......

You are correct. Chip Taylor (brother of Jon Voight), did write "Wild Thing", which was a huge hit for The Troggs. Additionally, he also wrote "Angel of the Morning", which became a country hit for Marrilee Rush and later for Juice Newton.

I like the studio recordings by Chip Taylor and Carrie Rodriguez. Great songs. However, the "Live at the Ruhr Triennale" is special, somehow exceeding the quality of the studio versions IMHO. It is a GREAT recording.......if you're into that kind of stuff.
bop, Karl Blau has my favorite version of That's How I Got To Memphis, on a classically-great (I mean that!!) recording titled "Introducing Karl Blau".

All covers, all wonderful wonderful songs, and wonderfully recorded.  

Highly recommended!!!