Great bass from a linear tracking arm?


Is great bass and full, rich, mid-bass/upper-bass 'presence' possible from a linear tracking arm?

Is one brand better than the others in this regard:
Airtangent, Kuzma, Walker, ET, Cartridgeman, Forsell, Rockport, etc.?

Is it all just a matter of cartridge selection?
I'm told that an ultra-light cartridge in combination with a light linear tracking arm will produce the best bass.
exlibris

Showing 4 responses by alun

I get fantastic bass on my ET2 and Celebration cart. Honestly I've heard some really top notch vinyl playback and when I get home I continue to be impressed with what I hear. If there is a bass shyness I've never been that aware of it and the positive attributes of a linear tracker certainly outweigh any of the negatives.
Raul, great to hear your on a new quest! However, a pivoted arm? I question as to how one can get the BEST playback from such a device. Don't get me wrong, they can sound great when properly setup but they just don't do what the linears do. I find my ET still stomps some of the "best" pivoted arms in existance. I am really sensetive to tracking error, a byproduct of every pivoted arm ever made.
I am always suprised to read about how people spend thousands on products that can only reach near perfection in two places within the groove. Arm makers have created longer arms to help alleiviate this problem but it still exists, simple physics.
Anyway sorry for the sidetracking of this thread.
I agree that setup is absolutely crucial for BOTH types of arm and pivoted can sound excellent. No disrespect towards your opinion and of course best wishes in your quest to create the ultimate. I always appreciate those who attempt to further the hobby by going out on a limb!

Cheers
Brizonbiovizier, you have an excellent table and I heard one with the Brinkmann arm. The linear tracker must take that table to the next level. I found that the Brinkmann arm just presented too much groove distortion for my liking and I've had a little fantasy about that table and a linear such as the Kuzma or Airtanget.
I'm green with envy...
Yup, Mhmm, just listened to my ET again. FABULOUS BASS! I don't get it, I'm hearing beautiful, clean, tuneful bass from this arm. I know I shouldn't but I do. What gives? Can anybody help me get less bass and hear this tonearm correctly? Oh yeah, I know I'll hook up my tubes again!

Alright that was uncalled for, but seriously, I really don't understand the "lack of bass" that others talk about. I've had this arm for 12 years and I gotta say that I've heard A LOT of others in other megabuck systems and I really can't see the attraction to the pivoted arm other than simplicity. A used ETII properly maintained is an absolute bargain considering the prices of todays linears. Don't get me wrong Id LOVE a Kuzma airline, but I don't believe it offers good value over a used ET even to those looking for the ultimate. I wish that Bruce Thigpen would have continued making these gems and their upgrades.
In regards to the original post, I have had a couple of different cartridges on the ET and did notice a substantial difference when moving up to the Sumiko Celebration. For an elliptical stylus it seems to dig in deep and get the info out quickly and quietly. This cartridge is known to have a raised level of bass so this could lead to my happiness in the bass department but it also does the rest of the spectrum very well. An EXCELLENT buy and again, I'll thank Raul for this recommendation. I know if he heard it on a linear tracker, he'd start designing the best tonearm ever (smiling!).
Brizonbiovizier I suppose the Brinkmann could have been a bit out of alignment and I'm not saying it was horrible. On the contrary it was beautifull...when it sounded right! What I was trying to convey earlier is that it had a sound which I can relate to all of the pivoted arms I've ever heard. On all pivoted arms I've noticed increased amounts of inner groove distortion especially on the inner (last) track. I can play an LP at home that has mild wear towards the end of side and it is very listenable however when played back on a pivoted system (in this case it was a Brinkmann, another case VPI HRX/12.5/Benz LP) That last track was clearly unlistenable and would be embarrasing to playback in front of anybody. Actually before I took the LP to hear these tables, I didn't know it was slightly worn. I've heard this distortion more clearly on all of the pivoted arms period.
I don't claim to have golden ears or anything as such, as a matter of fact my right ear is very slightly muted and I wonder if this has made me more sensitive to some distortions. Anyway, regardless, I know what I'm hearing, and you know what your hearing and thats what important in the end isnt' it.
Cheers!