Grand Prix Monaco review in new Stereophile- OUCH


Anyone read Fremer's review of the Grand Prix Monaco in the latest Stereophile?

Ouch that has to hurt. I am familar with the design of this table, and of course on paper it seems groundbreaking, but if I were in the market for a $20K table, (I'm not) this review would completely kill my interest in this seemingly stellar product.

Any other opinions?

(actually this is a great issue of Stereophile - lots of gear I am intersted in)
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Showing 2 responses by jkalman

I think people take these subjective reviews too seriously. Look at the "glowing" subjective review the same guy gave the Zanden Transport/DAC in Stereophile's November 2006 issue, and that thing measured terribly...
BTW, I didn't realize Groovy is Fremer (I didn't read the thread until after I commented on the initial post). I wasn't intending to be antagonistic. I just feel with some devices subjective experiences are too open to change depending on many factors (what kind of mood the person is in, their health, the weather, etc).

To be honest, I don't really read much of the equipment reviews nowadays, unless I own the piece, except for speaker reviews because those have easily identifiable differences in character that make the subjective reviews more valid IMO.

Turntables and their associated components (phonostage, cartridge, tonearm) certainly have more identifiable character than a CD player or amp (etc) IMO, but still less so than a speaker (unless the TT and associated components are exceptionally bad in design...).