when both speed accuracy and stability is achieved to a high degree the music attains a solidity and tonal integrity which must be heard to be appreciated. my Rockport System III Sirius direct drive motor......"yields speed accuracies on the order of 10 parts per million with absolutely zero torque ripple".
it also has a servo which totally corrects groove modulation on musical peaks. this aspect of speed stability cannot be stated too strongly. every belt driven tt and many direct drive tt's will be effected by groove modulation (kickback from the additional friction) and most listeners assume the effect of groove modulation is in the recording. it is only when you hear the recording played back without any groove modulation that it's affect is recognized. on musical peaks you might assume it's your amp or speakers are distorting.....but it's only the slight speed hesitation which causes the distortion and momentary loss of musical flow and cohesivness.
hearing a concert grand piano Lp played back at high volume on the Rockport is revelatory. lots of dynamics and overtones.....any non-linearities jump right out. then on anything else.....not the same.
Peter Montcrief's article summarizes the advantages nicely.
i have played CD's along with Lps on the Rockport....and the timing is perfect.....the problem becomes the space between cuts.....which do not always match.
there is more to tt performance than speed correctness; but music is mostly a matter of timing.....getting it right is much of the challenge.
it also has a servo which totally corrects groove modulation on musical peaks. this aspect of speed stability cannot be stated too strongly. every belt driven tt and many direct drive tt's will be effected by groove modulation (kickback from the additional friction) and most listeners assume the effect of groove modulation is in the recording. it is only when you hear the recording played back without any groove modulation that it's affect is recognized. on musical peaks you might assume it's your amp or speakers are distorting.....but it's only the slight speed hesitation which causes the distortion and momentary loss of musical flow and cohesivness.
hearing a concert grand piano Lp played back at high volume on the Rockport is revelatory. lots of dynamics and overtones.....any non-linearities jump right out. then on anything else.....not the same.
Peter Montcrief's article summarizes the advantages nicely.
i have played CD's along with Lps on the Rockport....and the timing is perfect.....the problem becomes the space between cuts.....which do not always match.
there is more to tt performance than speed correctness; but music is mostly a matter of timing.....getting it right is much of the challenge.