Got a New CD Player and Now I'm Bummed


Hope to get some help here...I recently added an Esoteric X-03SE to my system the details of which you can see here. I've always been a huge fan of vinyl and have a large collection--many more LP's than CD's. The problem is my digital front end is now WAY better sounding than my analogue set up. (My last CD player, a Naim CDX2, was about on par with my table--better in some areas, not as good in others). I'm finding myself listening to many more CD's while my LP's are dying for attention. I never thought this would happen to me! So, now I'm faced with upgrading my analogue to the point of parity (or better?) with my digital. (Wierd, right?). I could use some suggestions. One limiting factor is the overall height of the new analogue set up cannot be much taller than what I have since it needs to sit on a wall mount shelf that fits inside our entertainment center. So, I need a table/arm/cartridge set up that sounds DRAMATICALLY better than my Scout/JMW9/Dyna 20XM but doesn't need a ton of head room. What do you think I need to spend to get significantly better performance than what I have already? What would you all suggest for a new analogue front end? I'm thinking a Scoutmaster, Sota Cosmos or perhaps going back to an LP 12 with works. Ideas? Thanks!
dodgealum

Showing 3 responses by dgarretson

I'll wager half your TT problem is that pretty cabinet. Even if you're married to the entertainment center, you might try resiting the TT on an experimental basis.
Also, before abandoning the Scout, considering trying a carpet thread in place of the stock rubber band. The thread should be able to get grip on the pulley, assuming that you have the 300 RPM motor. I think you'll find that bass gets tighter, treble gets both smoother & more resolving, and the presentation generally becomes more focused, continuous & less sluggish. There are suspension mods that could further improve performance, but it looks like you don't have much room in the cabinet for additional layers. I assume the arm/cartridge has been carefully set up, but personally I would be challenged to get geometry spot on with the TT elevated & enclosed.
French fries, I can confirm the substance of Doug Deacon's remarks after going back & forth on my VPI TNT between thread drive vs. stock rubber bands, with and without PLC and Mark Kelly's AC-1 two-phase speed controller. The rubber bands don't cause problems that I hear as obvious wow & flutter, but they do contribute to sugglishness, bass slurring, lack of focus, discontinuousness across the frequency range, and edgy treble. This is all improved after conversion to a drive belt made of less compliant material. A good speed controller improves things further by reducing warble in piano music and revealing rounder & more textured instrument body and more precise spatial cues. The Kelly controller is way ahead of the PLC in this regard. Getting the strobe to read spot on is an ancillary benefit of a speed controller.

As the Scout is a close cousin, I can only assume it will benefit from some of these changes. The more I tweak around with TT drive trains & platforms & siting, the more I believe that forum discussions (and some manufacturers' upgrade paths) tend to over-emphasize the role of platter and plinth weight & material in determining the gestalt of vinyl.

I do agree with you that after a certain point of refinement, the differences remaining between CDP & TT are more of kind than of degree.