merganser:
the only thing that is certain is that sellerwith has not responded to questions and challenges with technically complete answers and has offended many with his grandiose claims and condescending attitude.
sellerwith:
apparently you aren't a technical person. that's fine, but that's no excuse for not getting the correct and complete information from Gilmore and presenting it here. just because people ask questions and a few might make erroneous comments doesn't give you permission to grandstand, spindoctor, and insult. this isn't the place for self promotion either, since nobody asked about the other stuff you sell. you can consult the moderation guidelines or ask the moderators.
you haven't given factual answers to my questions, so i'll try again:
1. horizontal dispersion. you say -3dB at 60 degrees dispersion (plus or minus 30 degrees, for those reading). At what frequency?
2. vertical dispersion. since when is bass below 500 hz "pretty much omnidirectional"? that's one of the most preposterous statements i've ever heard! first of all, 500 hz is midrange, not bass. if somebody can't tell where a 440 hz tone is coming from, they're probably deaf. care to quantify "pretty much"? engineers don't use that phrase in specifications.
3. comb filtering. you said, "Whatever comb filtering effect is created by our topology, it is less than anyone elses -- not more because of it." the accuracy of that statement is dubious, but that's beside the point. a full range line source has its element(s) aligned without timing anomalies. remember the old beveridge electrostat? before my time and it's been quite a while since hearing a pair, but that's a full range line source. some people might consider the gilmore to be planar.
4. will post a followup on doppler distortion.
5. binding posts and crossovers. i still don't see the binding posts on the ribbons. with each woofer having binding posts, you need to run jumpers about 18" long between them, and since the posts aren't lined up you'll need to bend the wires. not to mention the possible need to buy more cabling for between the woofers, from the woofers to the crossover, and from the ribbon to the crossover. sounds unattractive and a hidden expense. the crossover should be in the pictures.
i agree with merganser's remarks. $20k, not $19k, plus shipping, and then more for other colors, plus the cost of all the jumpers, is a lot for kitchen countertops.
the only thing that is certain is that sellerwith has not responded to questions and challenges with technically complete answers and has offended many with his grandiose claims and condescending attitude.
sellerwith:
apparently you aren't a technical person. that's fine, but that's no excuse for not getting the correct and complete information from Gilmore and presenting it here. just because people ask questions and a few might make erroneous comments doesn't give you permission to grandstand, spindoctor, and insult. this isn't the place for self promotion either, since nobody asked about the other stuff you sell. you can consult the moderation guidelines or ask the moderators.
you haven't given factual answers to my questions, so i'll try again:
1. horizontal dispersion. you say -3dB at 60 degrees dispersion (plus or minus 30 degrees, for those reading). At what frequency?
2. vertical dispersion. since when is bass below 500 hz "pretty much omnidirectional"? that's one of the most preposterous statements i've ever heard! first of all, 500 hz is midrange, not bass. if somebody can't tell where a 440 hz tone is coming from, they're probably deaf. care to quantify "pretty much"? engineers don't use that phrase in specifications.
3. comb filtering. you said, "Whatever comb filtering effect is created by our topology, it is less than anyone elses -- not more because of it." the accuracy of that statement is dubious, but that's beside the point. a full range line source has its element(s) aligned without timing anomalies. remember the old beveridge electrostat? before my time and it's been quite a while since hearing a pair, but that's a full range line source. some people might consider the gilmore to be planar.
4. will post a followup on doppler distortion.
5. binding posts and crossovers. i still don't see the binding posts on the ribbons. with each woofer having binding posts, you need to run jumpers about 18" long between them, and since the posts aren't lined up you'll need to bend the wires. not to mention the possible need to buy more cabling for between the woofers, from the woofers to the crossover, and from the ribbon to the crossover. sounds unattractive and a hidden expense. the crossover should be in the pictures.
i agree with merganser's remarks. $20k, not $19k, plus shipping, and then more for other colors, plus the cost of all the jumpers, is a lot for kitchen countertops.