I'm sure. My father's B302a speakers were a glorious part of my childhood. With a Dynaco stereo they would play 95 db or so beautifully.
He had an Ampex real to reel and the prerecorded tapes he had were incredible, a lot of Jazz and classical. I miss the hiss:)
What a dummy I am. I spoke to an old friend of mine who was into Bozaks. The insulation was to kill resonance between 500 and 600 Hz, the wavelength of the inside of these large enclosures! I should have thought of that.
Millercarbon, I'm afraid it does not quite work that way accept at certain frequencies that keep ringing after the cone stops as in the Bozak example above. Inside the enclosure sound waves are pressure waves that at low frequencies help determine how the cone moves. Sound from the midrange driver which is open in back in the Bozak does not leak out through the woofer cone. The woofer cone is too stiff and heavy for that. Very high frequencies might but in this case the tweeters are mounted on a bracket out in front of the woofer. At low frequencies the whole cone moves influencing it's frequency response. The enclosure vibrating is a problem and is a form of distortion. In the B302a Bozak this created the very warm bass that a lot of people like my father loved. That enclosure was a musical instrument! It was just 3/4" plywood without any bracing. Nobody would make a speaker like that today. But in that Bozak it was euphoric as hell.
Now I am all for Room Control which is actually speaker control. Most people use it in subwoofers only and downplay it for full range use. I use it to equalize the satellites so that they have absolutely identical frequency response curves right out to 20 kHz. The result is pristine imaging. No two identical drivers are exactly the same and no two drivers occupy the exact same place in space. Two identical speakers in two different locations sound different to various degrees. We locate sound sources by differences in volume and phase (arrival times between ears.)
So, if you want a voice to image dead center the sound of that voice has to arrive at both ears at exactly he same time at exactly the same volume. If the volume of various frequencies contained in the voice is louder in one speaker than the other you essentially dissect the voice and spread it out. The image becomes bloated. Most people try to control this with room treatments. It is much more accurate to use digital speaker control where you are actually measuring the exact frequency response of each individual loudspeaker and correcting them so they are exactly the same. Works great:)
He had an Ampex real to reel and the prerecorded tapes he had were incredible, a lot of Jazz and classical. I miss the hiss:)
What a dummy I am. I spoke to an old friend of mine who was into Bozaks. The insulation was to kill resonance between 500 and 600 Hz, the wavelength of the inside of these large enclosures! I should have thought of that.
Millercarbon, I'm afraid it does not quite work that way accept at certain frequencies that keep ringing after the cone stops as in the Bozak example above. Inside the enclosure sound waves are pressure waves that at low frequencies help determine how the cone moves. Sound from the midrange driver which is open in back in the Bozak does not leak out through the woofer cone. The woofer cone is too stiff and heavy for that. Very high frequencies might but in this case the tweeters are mounted on a bracket out in front of the woofer. At low frequencies the whole cone moves influencing it's frequency response. The enclosure vibrating is a problem and is a form of distortion. In the B302a Bozak this created the very warm bass that a lot of people like my father loved. That enclosure was a musical instrument! It was just 3/4" plywood without any bracing. Nobody would make a speaker like that today. But in that Bozak it was euphoric as hell.
Now I am all for Room Control which is actually speaker control. Most people use it in subwoofers only and downplay it for full range use. I use it to equalize the satellites so that they have absolutely identical frequency response curves right out to 20 kHz. The result is pristine imaging. No two identical drivers are exactly the same and no two drivers occupy the exact same place in space. Two identical speakers in two different locations sound different to various degrees. We locate sound sources by differences in volume and phase (arrival times between ears.)
So, if you want a voice to image dead center the sound of that voice has to arrive at both ears at exactly he same time at exactly the same volume. If the volume of various frequencies contained in the voice is louder in one speaker than the other you essentially dissect the voice and spread it out. The image becomes bloated. Most people try to control this with room treatments. It is much more accurate to use digital speaker control where you are actually measuring the exact frequency response of each individual loudspeaker and correcting them so they are exactly the same. Works great:)