Food for thought for all us audiophiles


Hello fellow Audiogon members,

I came upon this article the other day. I'm afraid the sentiments revealed in it are all too common to those on the outside of our hobby.

Cheers,

krjazz

http://phineasgage.wordpress.com/2007/10/13/audiophiles-and-the-limitations-of-human-hearing/
kjrjazz

Showing 2 responses by hifibri

Instead of suggesting the convergent effect for cases of consensus, I’d like to suggest sheer politeness. It’s better than turning to the person listening next to you and asking “Are you DEAF?!?”

"Apart from the overall lack of evidence and the sheer physical implausibility of some of the products, there is some classic research in social psychology that have implications for this topic."

‘Overall lack of evidence’ of what? Is there proof Led Zeppelin is better than Beethoven? It’s about perception (and preferences). I’m sure perceptions can be colored, but more important is simply the ability to perceive and the value placed on differences. Years ago, my brother thought I was crazy for spending money on expensive cables. He is an electrical engineer and thought there should be no audible difference in speaker wire. I sat him down one day and played the system through lamp cord then through the cable I had at the time (MIT MH-750 – yes, it was awhile ago). He said’ yea, it sounds a little better’, shrugged his shoulders and left the room. To me it was like night and day but he was just not as passionate about sound as I was. The difference meant nothing to him even though it existed. The same difference in sound can be experienced as completely different magnitudes by different listeners. It’s similar to how one person finds a painting beautiful while another sees it and walks by without giving it a second thought. Oh, and well engineered products usually test better, sound better, and cost better. :)

"While our senses are rather limited, our ability to fool ourselves is almost endless."

Speak for yourself.

"In fact, cognitive dissonance theory predicts that the more you pay for the cables, the more inclined you will be to conclude that they sound good, regardless of the actual quality of the cables."

I would argue there are more people who set up brand new expensive pieces of equipment and are disappointed at first hearing it, than those who love it, until of course it breaks in. How then would this be explained? (OK I’m sure someone will say its initial buyer’s remorse that the kids will never get braces…..until you get over that.)

I don’t think (in most cases) owning expensive equipment is simply a matter of people being able to afford it so they buy it. I used to work in an audio store and most of the audiophiles were from modest means. They bought expensive products for the sound it created, not because they were wealthy and could afford it.

"Is it really possible to tell the difference between normal high-end equipment, and equipment that veers into the audiophile range?"

Yes. I have many friends who are not into the hobby but have heard expensive systems and “get it”. They have been able to hear the differences in equipment incredibly well even though their ears are not ‘educated’. In fact one of them is a building contractor whose hearing is becoming impaired and he is an incredibly astute listener.

"In other words, it’s not really worth trusting an audio reviewer who is older than you are, because there is a range of higher frequencies that you can hear while they cannot."

How do you know a 25 year old reviewer hasn’t blown his/her eardrums out with ear buds/pyle driver subs/the new straight pipes he put on his Harley?

As a person ages, their hearing normally changes very gradually. Perception of live music, and reproduced music will change as well – but equally. This does not mean that a reviewer cannot distinguish differences in equipment it’s just their frame of reference has changed. Even with reduced sensitivity to higher frequencies acuity can be spot on. I would be more inclined to take the advice of someone with 40 years experience than rookie with ‘fresh’ ears. Therefore I would suggest extending a reviewers useful life to 62 years so they can at least collect Social Security.

Yes, those are common sentiments outside our hobby and even inside. It seems like the objectivists have such a hard time with the subjectivists. Art is subjective and fun. Is that a problem?
Carl109, I’m not sure I understand the point(s) you are trying to make but I believe we are in agreement on at least two. As you noted:

“For example, a new IC cable may make my system sound "better" or make an "improvement" to my ears and brain, but may have actually made my system less accurate in terms of a faithful reproduction of the original recording. Whether that makes a costly cable worth the money comes down to my own tastes.”

This shows we agree there are audible differences between high end cables and therefore we both disagree with supposition of the article. We also agree that whether the differences are ‘worth the money’ is a personal decision. That is not the point of the article but it is (in part) the point of what you called a ‘pointless comparison’. A person’s perception of those differences are the key. The example I used was to show how differences can mean more to one person than another. It was night and day to me, but not a difference worth considering for my brother and therefore would not be ‘worth the money’ to him. Additionally, there can always be differences between cables or any piece of equipment without the listener being able to decide which is better. Different does not mean better.

As far as your point that cabling may make your system sound “better” or make an “improvement”, but may change your system in terms of faithful reproduction of the original recording, don’t sweat it. You probably weren’t there when the recording was made so you can’t know how it should sound. Besides the recording is only a facsimile of the event. It is not THE event and it is impossible to recreate the original event from the recording. It’s more important to choose the equipment that sounds best to you. Seek the equipment that increases your enjoyment of the music because that’s what it’s all about (for me anyway). And remember, there is no accounting for taste, personal preferences are not debatable.