First Order Crossovers: Pros and Cons


I wonder if some folks might share their expertise on the question of crossover design. I'm coming around to the view that this is perhaps the most significant element of speaker design yet I really know very little about it and don't really understand the basic principles. Several of the speakers I have heard in my quest for full range floorstanders are "first order" designs. I have really enjoyed their sound but do not know if this is attributable primarily to the crossover design or to a combination of other factors as well. In addition, I have heard that, for example, because of the use of this crossover configuration on the Vandersteen 5 one has to sit at least 10 feet away from the speakers in order for the drivers to properly mesh. Is this really true and if so why? Another brand also in contention is the Fried Studio 7 which also uses a first order design. Same issue? Could someone share in laymans terms the basic principles of crossover design and indicate the advantages and disadvantages of each. Also, what designers are making intelligent choices in trying to work around the problems associated with crossover design? Thanks for your input.
dodgealum

Showing 8 responses by gregm

"Time/phase coherance"
As Viridian notes above, 1st order helps with phase. However, it's one thing to time align the drive units & anther thing to tackle electrical phase. Cheers
As per Skrivis, my own (unsollicited) opinion would be slightly in favour of a series -- IF you can easily get the drivers' electrical parametres VERY close (or near identical). Again, I'm just a hobbyist -- not a professional.

As to the Heil, 3kHz seems quite high -- which model are you using? As I know nothing about the Peerless, I really can't offer an opinion as to that particular match.
However, the Heil is dipole, so are you considering a 3-way with an open baffle mid -- or are you going closed cab after the Heil? If so, getting your system radiation pattern acceptable 3kHz downward could be a bit tricky!

ASAIK, the guy who makes "Heil" speakers crosses his AMT's about two octaves lower onto an upward firing peerless (quite a big unit if I remember correctly...). Frankly speaking the result is excellent down to the peerless: then things get a bit messy BUT that's just my opinion.
Cheers
Cheers
Ooops, no "edit" function anymore. Well, the BIG Heil is dipole, of course, the other one has a back chamber...
Some series xover related pages: Graddon, Murray H, K Lehma, Jon Risch.

Of course, any ref list on xovers would be incomplete without the frd consortium.

Cheers
Cdc -- there may be numerous advantages to multi-driver spkrs but spl is not necessarily one of them (think of those 22.000 gauss Lowthers with a front horn).

I love wide-range drivers. Single wide-range drivers are actually rare; remember the whizzers on most such drive units. Limited frequency range, beaming, dispersion, IM, (response peaks & valleys)... are some of the most annoying (to me) problems. {BTW, you DO use a circuit on the Jordan & it actually sounds good}.

BUT, a single wide-range unit has immediacy, reasonable response in a critical region (200-4kHz, most will do 8kHz for you, some will actually hit F6 @ 20kHz withOUT a whizzer!!), phase & the like are out... it's marvellous. Extension can be had using a supertweet (not easy to match) and, better still, using a stereo subwoof.
Tough to beat.

Ultimately though, these are EXPENSIVE spkrs. Driver cost alone for a high level full-range biamped design can easily top $6k (that's $35-50k in commercial equivalent).
Cdc-- I only dimly remember the Jordan circuit, but it looked like a contour rather than BSC (it was across the driver -- but don't hold me on this!).

Skrivis:
Re: first order+ drivers. Why not use a wide-range drivers -- i.e. a 8" + supertweet, then a hefty subwoof. You'd have to biamp (at least) but, as you note, there's no free lunch!
Cdc: forget the perfect piston. It'd be nice to have -- but let's just dream for now:)
An 8" driver has the advantage of being able to cope with mid & low-mid frequencies w/out extreme excursion. A smaller driver would be straining. OTOH, it WILL beam, as you hint, higher up. That'll narrow the sweet spot but, on the brighter side, IF the dispersion changes in a reasonably controlled manner, you reduce reflections... (at least that's s/thing). If the full-range can take it elegantly, I would try cutting in the tweet, 1st order, higher around 8kHz.
It's a pain to align the drivers -- but once it's done, it sounds good.
Cheers
Driver aligment isn;t easy to do well (wavelengths are so short up there). A Supravox 215 fron mounted on the baffle and a tweet back mounted with a makeshift waveguide, blended quite well at ~8-9kHz. All open baffle.
bastanissells an open baffle kit called "prometheus airforce" that's reputedly very good (someone does sell import it in the US).
Do check the Tangbang's excursion capabilities -- I think you'd need to cross the Tang to a woof quite high up to avoid hitting xmax too soon. Also run a quick test to see if a small contour wouldn't be indicated (quite a few people at diyaudio have worked with the Tang).

As to the Hammer, I haven't heard it but given the many accolades (esp with a fostex supertweet) it may be an option. Good discussion at melhuish's site (super 12.
Cheers