Sean, next time I'm in Chicago, can I come over?
First Order Crossovers: Pros and Cons
I wonder if some folks might share their expertise on the question of crossover design. I'm coming around to the view that this is perhaps the most significant element of speaker design yet I really know very little about it and don't really understand the basic principles. Several of the speakers I have heard in my quest for full range floorstanders are "first order" designs. I have really enjoyed their sound but do not know if this is attributable primarily to the crossover design or to a combination of other factors as well. In addition, I have heard that, for example, because of the use of this crossover configuration on the Vandersteen 5 one has to sit at least 10 feet away from the speakers in order for the drivers to properly mesh. Is this really true and if so why? Another brand also in contention is the Fried Studio 7 which also uses a first order design. Same issue? Could someone share in laymans terms the basic principles of crossover design and indicate the advantages and disadvantages of each. Also, what designers are making intelligent choices in trying to work around the problems associated with crossover design? Thanks for your input.
Showing 8 responses by drubin
I don't have the technical chops to make a great contribution to this discussion, but my understanding is this: first-order crossovers confer benefits in terms of maintaining phase accuracy (coherency?) across the drivers. The price for doing this is as Vridian stated, the need to have all the drivers operate well beyond their prime frequency range. Which means that driver selection becomes especially challenging. And why would you want to maintain phase coherency? I'll leave that for someone else. Great thread, Dodge. |
6moons did a piece on the Green Mountan Continuum last November, which is rich with discussion of these issues. One of the best audio articles I've read. Read it here. |