“Faithful to the recording”


I despise when reviewers use those words in describing a piece of equipment unless they were, quite literally, at the recording.  Once those words are used, I pretty much stop reading since IMO the reviewer is full of BS.

Your thoughts?

And what key word(s) or phrases cause you to stop reading?

 

audiodwebe

Showing 2 responses by tylermunns

It appears many people desire a release that is unfettered and most similar to what the artists/engineers heard via the master tapes played over the studio monitors pre-release.  This seems like a valid desire.

How anyone other than the music’s creators can know what the master tapes sounded like is where it seems to be tricky.

Generally I do my best to seek those copies that sound best to my ears, taking the analysis of others as just another source to accumulate something resembling a consensus.

If bass is “flabby” (apparently the antithesis of the oft-used, “tight” descriptor) is such a phenomenon limited to a singular piece of gear?  It seems the perception of “flabby” bass could be a myriad of factors…?

Has anyone ever experienced “flabby” bass?

Would that be the experience one has when riding in a car with someone who plays bass-heavy music at excessive volume?