It appears many people desire a release that is unfettered and most similar to what the artists/engineers heard via the master tapes played over the studio monitors pre-release. This seems like a valid desire.
How anyone other than the music’s creators can know what the master tapes sounded like is where it seems to be tricky.
Generally I do my best to seek those copies that sound best to my ears, taking the analysis of others as just another source to accumulate something resembling a consensus.