Explain the asthetics of Punk


Here's a fascinating essay describing the Sex Pistols performance at San Francisco's Winterland, January 1978:
http://concerts.wolfgangsvault.com/dt/the-sex-pistols-concert/3054-7788.html?utm_source=NL&utm_medium=email&utm_campaign=090616
As an old fashioned "peace-love/classic rock" lover, this episode of music completely eludes me. Didn't The Who catch the same vibe but with a lot more musical skill and integrity? Nonetheless, the essay gives a good snap shot surrounding the Sex Pistols and a glimpse into the punk musical phenomenom. If punk had been a satire, it'd be hailed a triumphant post-modern concept piece. The fact it is "real" is even more amazing to me. Excuse me, I have to put on a Judy Collins records to feel "clean again". LOL.
jwong

Showing 7 responses by darkmoebius

First off, The Ramones predate The Sex Pistols by a couple of years and actually deserve more credit. And The Stooges should get as much credit as The Velvet Underground.

Secondly, look at the state of "Rock & Roll" from 1976-82. It was a bloated, self-indulgent, parody of itself for the most part. It was so polished and formulaic that there was very little real feeling left(think Boston). The best years of the "peace-love/classic rock" era were long behind. Punk actually saved Rock from itself.

Punk, or at least, the early years of it, was the antithesis of that. It was raw and visceral. And much of it was at least earnest in it's intent, even if it was technically primitive.

There's a great scene in The Who documentary where Pete Townshend recounts running into the the Sex Pistols' Steve Jones and Paul Cook at London's Speakeasy club and in his ridiculously drunken stupor beseeches them to just finish the job killing Rock & Roll - finish him off, kill him. A pretty pathetic scene.

Which is ironic because the Classic Rock Gods like Townshend were the ones killing Rock at that point. They really weren't trying anymore and were too busy indulging themselves in wealth and excess.

But, here's the greater irony. Townshend stumbled out of the club and passed out in SoHo doorway only to be awakened by a police officer who recognized him and told him he could "go sleep at home tonight if he could get up and walk away"...That run-in with Jones & Cook, in some ways, inspired him to write "Who Are You"(or so legend has it). Arguably, their last great album. It was truly the end of The Who's era.

Much like Nirvana wiped the charts of the 90's "hair" bands, Punk put most of the classic rock bands out to pasture. They were headed that way on their own, punk just sped up the process.
Jaybo, The Clash album to start with is "Give 'Em Enough Rope", still my favorite.
In tenth grade(1979), some friends at my new high school took me to a concert at a small club in Hermosa Beach, CA called The Sweetwater. The show blew open the doors of my perception about how rock & roll should be. Big stadium rock couldn't hold a candle to the intensity.

It was Black Flag, and nothing was ever the same, for me.
The thing I remember most was the shows were very small. In LA, The Dickies, The Circle Jerks, The Germs, X, the Alley Cats, and Fear all played to crowds that averaged 50 to 500, so despite what anyone says, this was music for outsiders.
In Southern Cal we had some great venues - First and foremost - The Masque in Hollywood which was a regular venue for X, The Germs, The Mau-MauÂ’s, The Weirdos, The Avengers, The Dils, The Skulls and others. The Go-Gos rented practice space there. Cathay de Grandem, Madam Wong's, The Starwood were other Hollywood haunts

The Golden Bear in Huntington Beach - home for Agent Orange, The Adolescents, TSOL, etc. Cuckoo's Nest was another. Fender's Ballroom in Long Beach

Sweetwater in Hermosa Beach and The Fleetwood in Redondo Beach - pretty much home for Black Flag

Dancing Waters in San Pedro - home of The Minutemen and Firehose
I told him I felt we lost the battle by 1983
The US Festival(Saturday, May 28, 1983) felt like the last gasp to me.
The Vans Warped Tour did a great job at breaking new bands.
I worked the Warped Tour in '97 for Gatorade, great time. 26 shows in ~30 days over North America. That, had the feeling of bands in it for the love of music. Just everybody piled in buses bouncing from city to city. There wasn't really any room or money for prima donas. Not to mention, no band was really big enough to think so.
Bongofury - went to an exhibition of Raymond Pettibone's art at Bergamot Station Gallery in Santa Monica a months ago. Lots of singles and album covers from the early days along with his comic books.

Also saw and Anna Suma photo exhibit of her 1977-84 LA Punk scene/shows. Amazing stuff with great shots of Wendy O Williams(Plasmatics), Darbi Crash, Black Flag at the Music Machine, The Clash and Strummer '81 at the Roxy, Iggy Pop at The Palladium '80, Sex Pistols at the Olympic Auditorium '80, Johanna Went, The Bags at Hong Kong Cafe '80, Lena Lovich at Roxy '80, lots of X, The Slits, Adolescents, Los Lobos, Circle Jerks at the Starwood '82...Not to mention great shots of just the overall scene during that period.

Brendan Mullen also did a slideshow of photos from his coffee table book "Live at the Masque: Nightmare in Punk Alley" that night. Lots of great stuff in there. I was about 2 years too young to catch the Masque heyday, but ended up seeing most of the bands that got their start there.
Penelope Spheeris' 1980 documentary "The Decline of Western Civilization" is probably the best film made on punk music(specifically Southern California punk). It's authentic because it was made right at the height of the scene and features interviews with all the characters that made up scene - from musicians to journalists to club security guards.

Add to that, The Ramones "End of the Century" documentary.