Explain Class D amps to "non audiophile friends"


Hey folks, I was really enjoying the thread explaining class A amps to class B and AB, wheni was wondering where Class D comes in. I would love to be a snob and say its for my friends, but I have to admit I am doing the learning here! (I am not implying that the other guy who posted was asking the question for his benefit)

Thanks for your help!
Jeff
jeffatus

Showing 2 responses by almarg

Jeff, this Wikipedia writeup should help to clarify what has been said. The entire article is well worth reading, but note particularly the block diagram, and the paragraph headed "Signal Modulation" that describes it.

As noted in the article there are ways of implementing a Class D design other than the one depicted in the block diagram, but it illustrates the basic concept.

Regards,
-- Al
05-22-12: Jeffatus
Question: it appears to me that class A, B or A/B share some similarities, yet class D seems worlds apart from the rest. Is this correct? Could you compare the differences between class D and class A or B amplification?
Yes, it is a fundamentally different approach.

Put simply, at any instant of time each point in the signal path between the input and the output of the traditional amplifier classes has a voltage that is (to a close approximation) proportional to the voltage that is present at the input of the amplifier at (approximately) that instant of time.

A Class D amplifier does not work that way. At some of the points in its signal path, including the high power stage, what is proportional to the voltage of the input signal is the width or timing of a series of pulses. A "pulse" in this context refers to a voltage that (to a close approximation) switches between two (and only two) possible values.

An analog output signal whose instantaneous voltage is proportional to the instantaneous voltage of the input signal can be (and is) recovered from that width or timing by simply filtering out frequency components of the power stage's output signal that are far above the audible frequency range, and that are unrelated to the audio information itself. As indicated in the Wikipedia writeup I linked to, those high frequency components "serve no purpose other than to make the wave-form binary so it can be amplified by switching the power devices."

Regards,
-- Al