Experiences With Costly Balanced XLR Interconnects Above $3,000


I’ve had great success going with quality (and costly) mains power cables in the main system. In my experience power cords bring the most significant difference in comparison to interconnects and speaker cables. However, I have not really tried the best interconnects out there.

I currently have the Wireworld Silver Eclipse 8 XLR and an Acrolink 8N-A2080III Evo XLR in the system. Both sound excellent although different in their presentation. I’m wondering if the top-of-the-line WW Platinum Eclipse 8 XLR or Acrolink Mexcel DA6300IV XLR will bring a noticeable or worthwhile improvement to the sound.

Any experiences would be appreciated.

ryder

Showing 2 responses by pwerahera

I just don’t get it. The reason behind using XLR connectors is to eliminate noise, hum and whatever other signals coming from alien planets from the audio signal.

"This process is called Common Mode Rejection Ratio or CMRR and it is used to eliminate noise and hum which can be common to a signal. CMRR is most often taken advantage of in XLR balanced cables but it can also be used in single ended RCA cables as well. How does this work? Imagine a two-wire cable going from a turntable to a preamplifier. On one end you have the phono cartridge which is a coil of wire - with a beginning and end wire - each end of the coil is connected to one of the two wires of the cable. The other end on the preamp has a differential stage amplifier and on each of the two inputs we place the other end of the wire. With me? Now we start to play a record. The coil generates a moving voltage which is different at each end of the coil - it’s AC so it’s going + to - and then - to + so the voltage is moving back and forth over the coil - the signal always the opposite on each end of the coil wires. Our differential stage is loving this - it amplifies the differences between each end of the coil as the signal moves back and forth and we hear music. Now imagine a noise source - hum from a nearby transformer, noise from a cell phone or anything radiated in the air. That radiated noise is going to pass right through our two wires and be present on each of the two wires in equal amounts. So each of our two wires has lots of noise on it but the noise on each of the two wires is identical. The noise is common to the two wires. What does our difference amplifier do with this? Nothing! It rejects the noise completely. So you have high noise and signal coming into the differential stage and only signal coming out with the noise gone! It’s a bloody miracle. And there, my good readers, you now understand Common Mode Rejection, how it is rejected while at the same time amplifying only the music. XLR cables do this best because they have the two wires inside them surrounded by a third wire that is called a shield. An RCA cable has only one wire and the shield and they are not equal in construction so the noise isn’t as common as it could be and thus rejected not quite as much."

 

Can somebody here explain to me why $3,000 XLR connectors supposedly have a better CMRR than say $100 XLR connectors? Thanks in advance.

@atmasphere Appreciate your response. I am curious to know why won't manufacturers follow the AES48 standard. Do you think Audio Research, Mark Levinson, Cary Audio, Krell, and most of BAT all (Balanced Audio technology) don't follow this standard? For the kind of money these guys charge, I really doubt they will not adhere to the standard. But then how do you find out whether a particular manufacturer adhere to the standard of not?