Very true @pindac and well stated!
Every day I see another turntable recommendation...
After digging into this topic, I am convinced now I need to go a bit higher on this first vinyl set up. I think all in, I am prepared at this point to go up to $5k, for the table alone, not including arm or cartridge.
But frankly, being on this forum is like drinking from an information firehose. I have learned a bunch and yet somehow, I am less convicted than before.
With that in mind, to narrow down the decision, I am want to restrict myself to things I can buy, hear and, if necessary, service locally. My local dealers stock, AMG, AVM, Basis, Clearaudio, Michell, Musichall, Pro-ject, Rega, VPI, so I am likely restricted to those brands. I am certain my view will change by the end of this thread.
Showing 2 responses by boothroyd
+1 @photomax
I realize many are repulsed by the SL1200 but I am so thankful for having discovered its potential. Thanks to KAB and a few other suppliers, the hidden performance of these 3+ million turntables is quite staggering. One of the biggest benefits is the Mk2~Mk6 three (3) layer construction - these things are actually isolated. No wonder DJ’s used them! The footers in these capable machines break the audiophile rules of lossy coupling by having the feet screw into to lower chassis rubber boot. Yes. Not rigid! And unlike many lightweight sprung ‘tables, this system handles real SPL energy without soundstage compression. A sturdy shelf and a few pieces of sorbothane to provide lossy vertical & lateral isolation is all the isolation you‘ll ever need. Go figure . . . |